March 29, 2008

A monk asked Zhaozhou, "What is the living meaning of Chan Buddhism?."
Zhaozhou said,
"The cypress tree in the courtyard."
- Mumonkan, Koan 37
Aligned, Relaxed, Resilient: The Physical Foundations of Mindfulness. By Will Johnson. Boston, Shambhala, 2000. 137 pages. ISBN: 1570625182.
Anatomy of Hatha Yoga: A Manual for Students, Teachers and Practitioners.
By H. David Coulter. Foreword by Timothy McCall. Honesdale,
Pennsylvania, Body and Breath, 2001. Index, bibliography, appendices, 623
pages. ISBN: 0970700601. 2002 winner of the Benjamin Franklin Award
for
Health, Wellness and Nutrition.
Animal Frolics: Bibliography, Links, Quotes, Notes
Animal Frolics Standing
Meditation. UTube Video, 2:36.
Bear Spirit Standing Posture
Behind the Zhan
Zhuang Training 7Kb.
BodyStories:
A Guide to Experiential Anatomy. Expanded Edition. By Andrea
Olsen in collaboration
with Caryn McHose. Barrytown, New York, Station Hill Openings of
Barrytown, Ltd., 1998.
Index, bibliography, 168 pages. ISBN: 1581770235.
Breathing: Bibliography,
Links, Resources, Quotations, Notes
Chi Kung
Standing Meditation. Instructional CD with guided
meditations.
Chen Taijiquan Post Standing Posture
Chi
Kung: The Chinese Art of Mastering Energy. By Yves Requena.
Healing Art
Press, 1996. 120 pages. ISBN: 0892816392.
Cultivating
Stillness: A Taoist Manual for Transforming Body and Mind. Translated
with an introduction by Eva Wong. With a commentary by Shui-ch'ing Tzu.
Illustrated
by Hun-yen Tsu. Boston, Shambhala Press, 1992. 156 pages.
ISBN: 0877736871.
Di Guoyong on Xingyiquan, Volume I: Five Element
Foundation. By Di Guoyong (1948-). Translated and edited by Andrea Falk. 223 pages.
Victoria, B.C., Canada, TGL Books.
Appendices. ISBN: 0768751768. Post Standing, Chapter Two, pp.
7-36. Valuable information in this book on Post Standing.
Ecstatic
Body Postures: An Alternate Reality Workbook. By Belinda Gore.
Foreword by Felicitas Goodman. Santa Fe, New Mexico, Bear and Company,
1995. Endnotes,
284 pages. ISBN: 1879181223.
Eight Section Brocade Qigong Eight Treasures
Chi Kung. By Michael P. Garofalo. Instructions, notes,
links, bibliography, quotations, and charts. 225Kb. Baduanjin,
Pa Tuan Jin, Eight Silken Treasures, Ba Duan Jin, Pal Dan Gum, Ba Duan
Gin, Pa Tin Kam, Otto Pezzi di Tesoro. Between each of the eight postures is a
period of Wu Ji.
Five Animal Frolics Wu Ji is used to
rest between each Frolic, and afterwards for meditation.
Flowers in the Sky: Emptiness in Full Bloom
"Fong Ha on Yiquan Practice." Interview of Fong Ha by Robert
Teachout and Kiren
Ghei. T'ai Chi: The International Magazine of T'ai Chi Ch'uan, Vol.
29, No. 1, February 2005, pp. 26-32.
Guided Standing Meditation: Awaken Healing Light. By Mantak Chia.
Instructional DVD, 60 minutes.
Garofalo, Michael P. M.S. Yoga and
Qigong Teacher, Red Bluff, California
The
Healing Promise of Qi: Creating Extraordinary Wellness Through Qigong and
Tai Chi.
By Roger Jahnke, O.M.D.. Chicago, Contemporary Books, 2002.
Index, notes, extensive
recommended reading list, 316 pages. ISBN: 0809295288.
Honoring the Medicine: The Essential Guide to Native American Healing.
By Kenneth "Bear Hawk" Cohen. New York, Ballantine Books, 2003.
Bibliography, notes, index, resources, 429 pages. ISBN: 0345435133.
"The Paleolithic Posture," pp. 240-251.
Index to the Cloud Hands Website
Kyudo - Standing Meditation in
Archery
Meditation:
Bibliography, Links, Resources, Quotations, Notes
Neigong.Net A blog on qigong.
Qigong (Chi Kung): Links and Bibliography
Opening
the Energy Gates of Your Body (The Tao of Energy Enhancement. By Bruce
Kumar Frantzis. Illustrated by Husky Grafx. North Atlantic Books,
1993. Second
Edition. 174 pages. ISBN: 1556431643.
"Un Pas Vers la Vitalité," Une Expérience Energétique dans
L'approche des Troubles Anxieux et Dépressifs. Quebec, June, 1998.
Primordial Wuji
Qigong from Wudang Mountain Taoists. By Mike Garofalo.
Remembering Wu Ji.
By Jonathan J. Dickau. 17Kb.
Re-realize Zhanzhuang.
Li Jiong.
San Ti Shi, Three Body Posture, Trinity Posture,
Heaven-Man-Earth Posture, Spirit-Mind-Body Posture
San Ti Shi Visualization Exercise
Scientific Research on Sitting and
Standing Qigong Meditation Exercises. Center for Taiji Studies.
The Spirit of the Garden
Over 3,300 quotations, poems, sayings and proverbs arranged by 140 Topics for gardeners and Lovers of the Green Way
and Tree Huggers Everywhere.
Standing
Chi Kung Meditation. 12K
Standing Meditation: Doing Nothing and
Finding Contentment in Being Alight. Body /Mind Qigong Center,1997 57 page illustrated booklet on standing
meditation.
Standing
Meditation for Tai Chi. By Cynthia McMullen, LMT.
8Kb.
"Standing Still Like a Tree." By Victoria Windholtz. T'ai
Chi: The International Magazine of T'ai Chi Ch'uan: Volume 19, No. 6, December, 2005, pp.
6-9.
Standing
Meditation By Michael Gilman.
Stillness in Movement
Sifu Fong Ha. Intergral Ch'uan Institute.
Subject Index to the Cloud Hands (Taijiquan and Qigong) Website
Sun Lu Tang's
Internal Martial Arts: Baguazhang, Xingyiquan, Taijiquan, and Qigong.
Bibliography, Links, Quotes, Resources, Instructions.
Sun Style of T'ai Chi
Ch'uan: Standard Competition 73 Movements Form. Research by Michael P.
Garofalo, M.S.. Webpage: 450Kb, June 2008. This webpage includes an
introduction, information on the history of the Sun Taijiquan forms, a detailed
bibliography, extensive links, references to video resources, a large
collections of quotations about Sun Taijiquan, recommendations on the best media
resources on the topic, and suggestions for learning the 73 competition Sun
Taijiquan form. A detailed comparative list of the names of each of the 73
movements is
provided, with source references, and the movement names are given in
English, Chinese, Chinese characters, French, German, and Spanish. This webpage
includes detailed
descriptions of each of the 73 movements with black and white illustrations
for each movement sequence along with commentary and comparisons. Many
additional nomenclature lists and section study charts in the PDF format,
photographs and graphics are also provided - over 1.3 MB of information. This
webpage is the most detailed and complete document on the subject of the Sun
Taijiquan Competition 73 Form available on the Internet. This document was
published by Green Way Research, Valley Spirit Taijiquan, Red Bluff,
California, 2008. URL:
http://www.egreenway.com/taichichuan/sun73.htm.
Sun Style of Tai Chi Chuan Grandmaster
Sun Lu Tang recommended San Ti Shi or Wu Ji Standing Meditation.
Tadasana: Hatha Yoga Standing Posture, Standing Tall, Basic Standing
Posture - Instructions
Tai Chi Sword.
By Michael P. Garofalo. This popular webpage includes a comprehensive
bibliography, scores of links to webpages; an extensive listing of the names and
name variations for each movement in English, Chinese, French, German, and
Spanish; a detailed analysis of
each posture and movement sequence with explanations and numbered illustrations
and detailed
instructions; selected
quotations; comments on 20 Taijiquan sword techniques; a comprehensive media bibliography;
a chart of performance times; and, a comparison of the 32 and
55 sword forms in the Yang style.
This is the standard, simplified, orthodox,
1957, 32 Taiji Sword Form, in the Yang Style of Taijiquan. This is the
standard, simplified, orthodox, 1957, 32 Taiji Sword Form, in the Yang Style of
Taijiquan. © Michael P.
Garofalo, Valley Spirit Taijiquan, Green Way Research, Red Bluff, California,
January 2008. 350Kb+.
Taijiquan
and Standing-Posture Meditation (Zhan Zhuang). By Chen Yaoting.
15Kb.
T'ai Chi Ch'uan: Guides, Bibliographies, Links, Quotations,
Resources, Notes All Taijquan forms begin with Wu Ji, a period of time to compose oneself, relax,
gain control of attention and concentration (Yi - Mind). The length of
time to stand in Wu Ji varies between Taijiquan styles.
Master
Sun Lu-Tang recommended
long periods of Wu Ji or San Ti Shi.
The Tao
of Natural Breathing: For Health, Well Being, and Inner Growth.
By Dennis Lewis. Mountain Wind Pub., 1997. Index, 208 pages. ISBN: 0965161102.
Foreward by Taoist Master Mantak Chia.
Information.
Tao of
Yiquan: The Method of Awareness in the Martial Arts. Volume 2 of the
Trilogy:
Warriors of Stillness. Meditative Traditions in the Chinese Martial
Arts. By
Jan Diepersloot. Walnut Creek, CA, Center for Healing and the Arts, 1999.
Index, notes, 272 pages. ISBN: 0964997614.
Taoist Standing Practice - Core Stability San Ti Shi
instructions.
Thirteen Questions About Standing Meditation. By Ed Ramirez.
"Traditional Chinese Therapuetic Exercise - Standing Pole." Wang
Xuanjie and J.P.C. Moffett. Foreign Language Press, Beijing, 1994. ISBN: 7119006967.
Trees - Quotes, Poems, Sayings
Trinity Posture (San Ti Shi), Three Body Posture, Trinity Posture,
Heaven-Man-Earth Posture, Spirit-Mind-Body Posture
Valley Spirit Taijiquan
Red Bluff, California
"The Vital Importance of the Qigong Tree Hugging Experience and
Installation."
By Steven Kh Aung, M.D. Qi: The Journal of Traditional Eastern Health
and Fitness: Spring 2005, Vol. 15, No. 1, pp. 36-43.
"La Voie de L'énergie," Maitre Lam Kam Chuen. Le Courrier du
Livre, 1994.
Warriors
of Stillness: Meditative Traditions in the Chinese Martial Arts.
Volume 1.
The Teachings of Grandmaster Cai Song Fang. Qigong Qi of the Center,
Essence of Taijiquan. By Jan Diepersloot. Walnut Creek,
California,
Center for Healing and the Arts. Glossary, 226 pages. ISBN:
0964997606. A study
of Wu Ji meditation and its T'ai Chi Ch'uan applications.
Warriors of Stillness, Volume 2: The Tao of Yiquan. By Jan
Diepersloot.
The Way
of Energy: Mastering the Chinese Art of Internal Strength with Chi Kung Exercise.
By Master Lam Kam Chen. New York, Fireside, Simon and Schuster, 1991.
A Gaia Original.
Index, 191 pages. ISBN: 0671736450. This book can serve as a fine introduction to Zhan Zhuang. It is the first reference book on Zhan Zhuang in English for
the Western reader.
The foreword is by Professor Yu Yong Nian, D.D.S., an highly respected expert
and author
of books in Chinese on Zhan Zhuang. Master Lam Kam Chen had 50 years of
experience
with the practice of Zhan Zhuang when he wrote this book, with the assistance of
Richard
Reoch, in 1991. Master Lam studied with numerous masters in Hong Kong,
Taiwan and mainland China before moving to London in 1991 to open a medical clinic.
This book is
strongly influenced by "the form of martial art known as the Great
Achievements ShadowBoxing, Da Cheng Chuan," created by Wang Xiang Zhai (1886-1963), who
was also a Yiquan Master.
The Way
of Qigong: The Art and Science of Chinese Energy Healing. By Kenneth
S. Cohen.
Foreword by Larry Dossey. New York Ballantine Books, 1997. Index,
notes, appendices, 427 pages. ISBN: 0345421094. One of my favorite books:
comprehensive,
informative, practical, and scientific; probably the best qigong text.
Chaper Ten, Standing Like A Tree, pp. 133-147, discusses standing meditation.
"The Chinese
term for Standing Meditation is Zhan Zhuang, "Standing
Post.""
Wild Goose Qigong: Links, Bibliography, Quotes, Notes
Willpower: Quotes, Links,
Bibliography, Resources
Wu Dang Qigong: Bibliography, Links, Quotes, Resources, Notes, Lessons
Wu Ji or Tadasana: Standing Tall, Basic Standing
Posture - Instructions
Wuji (Primordial)
Qigong from Wudang Mountain Taoists. By Mike Garofalo.
Xing Yi Nei Gong: Xing Yi Health Maintenance and Internal Strength
Development.
Compiled and edited by Dan Miller and Tim Cartmell. Orange, CA, Unique
Publications, 1999. 200 pages. ISBN: 0865681740. "Xing Yi Nei
Gong includes (1) the Sixteen Nei Gong exercises handed down by the famous Xing Yi master Wang Ji Wu (1891-1991) described in detail and shown in clear,
easy-to-follow photographs of Wang Ji Wu's disciple Zhang Bao Yang (1922- ) plus historic photographs of Wang performing the same set, (2) invaluable 25+ pages
chapter on Xing Yi's foundational Standing Practice (San Ti Shi) ..."
Xing Yi Quan Standing Practice, by Tim Cartmell, pp. 58-75.
Xing Yi Quan (Hsing I Chuan): Bibliography, Links,
Resources, Quotes, Notes
Yak Riders on
Meditation Methods
Yiquan.
By Karel Koskuba.
"Yiquan and the Nature of Energy: The Fine Art of Doing Nothing and
Achieving Everything." By Hong Fa. California, 1994.
Yiquan: Power of Mind.
Karel Koskuba. 31Kb. A very good read.
Yi Quan
and Relaxation. By Gregory Fong.
Yi Quan: Up/Down
Training: The Key to I Chuan's Six Powers By Gregory Fong.
Yi Quan - Wikipedia
Yi Quan , also known as Dacheng Quan, is a martial art system
which was founded by the Chinese
xingyiquan
master,
Wang Xiangzhai (王薌齋). Wang Xiangzhai (Chinese:王薌齋;
Wade-Giles:
Wang Hsiang-chai, 1885-1963), also known as Nibao, Zhenghe, Yuseng or as
"demon's fist" - was a
Chinese
xingyiquan
master, responsible for founding the martial art of
yiquan.
Yi Quan uses Zhan zhuang (站樁) - Motionless postures, where emphasis is put on
relaxation, working to improve perception of the body and on developing Hunyuan
Li, or "all round force".
Zhan
zhuang can also be divided into two different types of postures; health
postures and combat postures.
Yoga: Guides, Bibliographies,
Links, Resources, Quotations, Notes
Yoga of
the Mahamudra: The Mystical Way of Balance. By Will Johnson.
Rochester, Vermont, Inner Traditions, 2005. 151 pages. ISBN:
0892816996.
Yuli Qigong. By
Jeff Smoley. Wujigong, Zhan Zhuang, 5 Animal Frolics, Jade Power Qigong,
and Eight Section Brocade. Jeff borrowed my
disclaimer.
Zhan Zhuang.
In German.
Zhan Zhuang: Details Anatomiques.
Zhan Zhuang From an I-Chuan
Perspective. By Gregory Fong.
Zhan
Zhuang: Meditar Como Un Arbol
Zhan Zhuang Qi Gong In
German.
Zhang Zhuang - Foundation of
Internal Martial Arts. By Karel Koskuba. 33Kb. An
excellent
informative article on the topic.
Zhan Zhuan Gong (Estar Quieto
Como Un Arbol) A very good article with photographs in Spanish.
Zhan Zhuang Gong: Postures
for Rooting
Zhan
Zhuang Gong Music. Wind Records, 2000. CD. ASIN:
B00004SR3K.
Zhan Zhuang: Posture de L'Arbre
French
Zhan Zhuang: Standing Like
a Tree
"Zhan Zhuang: The Art of Getting Fit." By Victoria
Windholtz. Tai Chi: The International Magazine of T'ai Chi Ch'uan: Vol. 30, No. 3, June, 2006, pp 39-44.
Photos and descriptions of a lying down version of Zhan Zhuang are provided.

1. Wu Ji or Tadasana: Standing Tall, Basic Standing Posture
2. Embrace the One, Hold the Tree
3. San Ti Shi, Three Body Posture, Trinity Posture, Heaven-Man-Earth Posture, Spirit-Mind-Body Posture
4. Chen Taijiquan Post Standing Posture
5. Bear Spirit Standing Posture
1. Wu Ji
Tadasana
Basic Standing Posture, Standing Tall
Stand up in a relaxed manner.
Your feet should be separated from 6" to 18".
Master Sun Lu-Tang kept
his feet together for Wu Ji. Keeping your feet together
will require more attention to balance and
holding to the plumb-vertical.
A rule to use is "Place your feet at a
"comfortable" distance apart."
Some keep the inside of the feet aligned with the
inside of the armpits.
Both of you feet should be pointed straight ahead and flat on the floor.
Some turn the feet slightly outward to up to a
45° angle.
You should feel stable, centered, rooted to the earth.
Relax your body (Sung: loose, untensed, open, relaxed,
calm).
Clear your mind. Set aside your thoughts on the work and worries of the day.
Keep a pleasant look on your face - a soft
gentle
smile is beneficial.
Keep
your head up and look forward.
Your eyes
should be open, with a soft and wide angle focus.
Use the method of looking/seeing called
ping
shi or "level gaze."
Some close the eyes during Wu Ji standing
meditation.
Breathe in and out in a relaxed, easy, and regular manner.
Use the abdominal
breathing
techniques.
Breathe deeply and exhale fully.
Breathe in through your nose and out through your mouth.
Keep
your lips parted slightly.
Breathing should be natural, relaxed, and
not requiring your attention.
Your
arms should hang down in a relaxed manner at your sides.
The palms of the hands should face the thighs and lightly touch
them.
The palms of your hands should face your thighs.
Relax the shoulders and let them hang down.
Some recommend that you keep the tip of your tongue lightly touching the roof of your mouth.
"This posture is often called the "Wu Ji" posture in Taijiquan.
It is the resting position, the position
before any motion begins, a state of "grand emptiness." It is
the primordial condition - empty, free,
motionless, without qualities. It precedes the movement of Yin/Yang both
logically and temporally.
The classics talk of Wu Ji giving birth to
Tai Ji, emptiness transforming itself into the manifold of
cyclic dualities. Our course, our bodies are never completely at rest: our
hearts contract and relax,
our blood moves up and down, we breath in and out, our two feet and two arms
help keep us in
balance as we stand, our mind may be calm and focused but billions of neurons
are quite busy
in our brains creating that phenomenon we directly apprehend as
consciousness. So, the "Wu Ji"
state of this posture is more symbolic, allegorical, or figuratively interpreted. Students should
note that this posture is very similar to the
Yoga
posture of Tadasana - the Mountain Pose.
We should stand like a Mountain: strong, stable, unmoving, grand, still, aloof, above the
mundane,
powerful, accepting but unbroken by the storms of ideas, and avalanches of
strong emotions
and real worries. "
- Michael P. Garofalo,
The Eight Section Brocade Qigong
Empty Standing Posture: Wu Ji Zhuang
"Body is the bow,
asana is the arrow,
and soul is the target."
- B.K.S. Iyengar
"The body extends upwards, with the base as
firm as a rock; the mind is steady and attentive.
Tadasana teaches balance, centering and evenness and direction of extensions.
These principles apply to all the postures."
-
B.K.S. Iyengar
I recommend the following books:
Warriors of Stillness: Meditative Traditions in the Chinese Martial Arts. By Jan Diepersloot.
Xing Yi Nei Gong. Compiled and edited by Dan Miller and Tim Cartmell. Pages 58-93.
Di Guyong on Xingyiquan. Translated and edited by Andrea Falk. Pages 7-36.
"Start in a standing position, with your feet parallel and
spaced a shoulder-width
apart. Slightly bend your knees. Your back should be straight, with
your buttocks
tucked and your pelvis thrust slightly forward. Your shoulders must be
relaxed and
your chest slightly concave, with the chest muscles relaxed. Do not slouch
or round
your shoulders too much. Your body should be relaxed. Focus your
eyes straight
ahead, mentally lining up your nose with your navel."
- Jane Hallander,
Tai
Chi Chuan's Internal Secrets, p. 17
"Stand with the bases of your big toes touching, heels slightly apart (so that your second toes are parallel). Lift and spread your toes and the balls of your feet, then lay them softly down on the floor. Rock back and forth and side to side. Gradually reduce this swaying to a standstill, with your weight balanced evenly on the feet.
Firm your thigh muscles and lift the knee caps, without hardening your lower belly. Lift the inner ankles to strengthen the inner arches, then imagine a line of energy all the way up along your inner thighs to your groins, and from there through the core of your torso, neck, and head, and out through the crown of your head. Turn the upper thighs slightly inward. Lengthen your tailbone toward the floor and lift the pubis toward the navel.
Press your shoulder blades into your back, then widen them across and release them down your back. Without pushing your lower front ribs forward, lift the top of your sternum straight toward the ceiling. Widen your collarbones. Hang your arms beside the torso.
Balance the crown of your head directly over the center of your pelvis, with the underside of your chin parallel to the floor, throat soft, and the tongue wide and flat on the floor of your mouth. Soften your eyes.
Tadasana is usually the starting position for all the standing poses. But
it's useful to practice Tadasana as a pose in itself. Stay in the pose for 30
seconds to 1 minute, breathing easily."
- Tadasana, Yoga Journal
"Our legs are the foundation for movement and action
since they carry our weight while walking. They should be firm and steady to
hold the brain, which is the seat of intelligence, in correct alignment with the
spine. Hence, the standing poses are elementary to yoga. They are designed to
bring flexibility and make the body strong and steady.
'Tada' means a mountain and sama
upright, unmoved. 'Sthiti' means standing still. 'Tadasana',
therefore, implies a pose where you stand firm and erect like a mountain. 'Tada'
also means a palm tree growing straight. This is the basic standing pose.
1. Remain as natural as you are when standing.
2. Keep the feet together, toes and inner heels touching and the arch raised.
3. Rest the feet flat on the ground and stretch all toes.
4. Heels should not come off the floor and the weight should be exactly in the
center of the feet.
5. Tighten the knees and pull up the kneecaps. Compress the hips and pull the
muscles at the back of the thighs up.
6. Keep the spine erect, raise the sternum and expand the chest.
7. Keep the stomach in and the neck straight.
8. Do not lift the shoulders when you keep the arms by the sides of the body,
fingertips extending downwards and palms facing the thighs.
9. Stand still for 20 to 30 seconds and breathe normally."
- B.K.S. Iyengar
"Tadasana, a position in
Yoga, is also
called Mountain Pose. It is a very basic standing pose with the feet together
and the hands at the sides of the body. Yoga practitioners consider it a pose
that promotes confidence and happiness as well as improving posture and creating
space within the body. This creating space within the body may allow internal
organs to work more efficiently thus improving respiration, digestion and
elimination. The pose strengthens the abdomen and the legs. It may help relive
sciatica
and reduce flat feet. Poses that help prepare for Tadasana include
Adho Mukha Svanasana and
Uttanasana.
Although Tadasana is a very basic pose it is the basis for many standing poses.
Urdhva Hastasana is a very similar pose with the hands raised above the head."
- Tadasana,
Wikipedia
"Tadasana is perhaps the most basic yoga pose. All yoga poses are called asana and the word tada translates from Sanskrit to mountain, thus this is the 'mountain posture'. As it is a very simple and restful pose it is usually one of the very first that must be mastered by a new student. It is the base for all the other asanas, particularly the standing ones.
The pose is often done at the beginning of a yoga routine, either as the first one, or perhaps after some simple sitting poses such as virasana or sukhasana. It can also be practised in between more strenuous poses to regain an even control of the breath and refocus and re-center the body. For the same reasons, it can also be done before entering a meditation period. Many people also find it beneficial to practise first thing in the morning after getting out of bed to align and refresh the body before the day.
Although the pose looks simple, and indeed is the most simple of the asanas, it still takes much practise and concentration to master all the different areas of the body and combine them into a strong yet relaxed posture. Placing the body correctly from the beginning is of utmost importance as this will help the pose to be balanced for its entirety.
The ideal when practising tadasana is that the ankles, knees, hips, shoulders and ears are exactly in a straight, vertical line. At first, this may take a surprising amount of concentration and effort. In order for your body to be lined up this way, its base, that is your feet, must be lined up. Think about the way people stand most of the time, they pretty much always lean one way or the other. Resting most of their weight on one leg, perhaps switching between the two, or standing with one leg placed more forward that the other. Even when sitting ones feet are hardly ever planted flat and together on the floor.
That is why this pose is so important and teaches many of the fundamental disciplines needed to carry out other standing poses successfully. Balance, alignment, concentration and awareness of the body are all focused on whilst practicing tadasana. When one first begins to practise it is very important to take care when doing each of the following steps so that the end result is good. As one becomes more experienced the body will more naturally align its self, and many of the steps will become less conscious.
If this all sounds a bit
confusing just reading through it - and it can be - just stand up and try do
it step by step,
it makes a lot more sense that way, as you can feel what your body naturally
does and what you should be trying to achieve."
-
Tadasana@Everything
"To review, the basic elements of the
Paleolithic Posture are: Feet under the shoulders. Slightly bent
knees. Receiving and feeling the ground. Long, straight spine.
Relaxed as possible. Eyes open with a wide, level gaze. Slow, quiet
belly breathing. Awareness. Whole body alive."
- Kenneth Cohen, Honoring the Medicine, p.246
2. Embrace the One
Ping
Bu Cheng Bao Zhuang
Holding the Cosmic Ball
Holding the Sphere of Qi
Being Mindful of the Sphere
Holding the Balloon
Hugging the Tree
Description:
Opening Hands, Closing Hands
By Michael P. Garofalo
"Standing at the Mysterious
Centered in the Eternal Now,
Balanced in Body and Open in Mind,
Rooted into the Sacred Space,
Motionless as the Golden Mountain,
Fingers around the Primeval Sphere.
Dragons and Tigers are still dreaming -
Ready for Rebirth.
I breathe in, the World Breathes Out.
The Gate of Space opens;
Heaven moves and Yang is born.
The hands move out, embracing the One.
The mind settles and is clear.
The Dragon Howls,
Ravens fill the Vast Cauldron,
Mind forms melt like mercury,
Spirit rises in the Clouds of Eternity.
Yin appears like the moon at dusk.
I breathe out, the World Breathes In.
The Doors of Emptiness close;
Earth quiets and Yin is born.
The hands move in, entering the One.
The body settles and becomes whole.
The Tiger Roars,
The Great Ox is nourished by the Valley Spirit,
Substances spark from flaming furnaces,
Essence roots in the Watery Flesh.
Yang appears like the sun at dawn.
Dragons and Tigers
Transformed within the Mysterious Pass -
Chanting and Purring.
Awakened,
Peaceful,
Free."
- Michael P. Garofalo,
Opening
at the Mysterious Pass
Opening Hands and Closing Hands
"Please stand in a big circle, and give each other some space, small people
in front. Could you please close your eyes and just be in touch with the
ground. Feel the earth under your feet, even through the soles of your shoes. And allow yourself to arrive here, everybody on their own, just being
grounded like a tree. Imagine that you are a tree, a big, wonderful tree,
with strong roots going down into the earth, spreading out deeper, and
deeper. You are standing firm as a tree, nothing can shake you too much.
Allow your body to shift slightly sideward, to the left, to the right, and
back and forth, enjoying these soft movements. And now lift your arms just
a little bit and allow your fingers to move, to dance like leaves, so that your
whole body becomes responsive with small movements, and you can connect your
heart to what is around you. Just stay for a while transparent
like this to the environment. And now, still with eyes closed and no
speaking, open yourself to the world of sound. And now, slowly open
your eyes, and just quietly watch he leaves of the trees, light and shadow,
shades of colors, movements. Just open yourself with all senses to what is
alive in the woods."
-
Standing Meditation, Amarvati Buddhish Monastery
3. San Ti Shi
Trinity
Posture (Heaven-Man-Earth, Spirit-Mind-Body Posture)
Three Elements Form or Posture
Three Body Posture
San Ti Chi is the
standard on guard posture used in nearly all styles of
Hsing I Chuan (Xing Yi Quan) internal martial arts.
The
Sun Lu Tang's martial arts
system makes extensive use of San Ti Shi.
Description:
"Posture One
- Three Body Posture (San Ti Shi):
The Five Element Creation Fist routine begins as with most Xingyiquan routines
in the Three Body Posture
(San Ti Shi). The San Ti Shi is the most important and most basic training
method in Xingyiquan. All movements
in the style do not stray away from the principles of the San Ti Shi. There is a
saying which states that "ten thousand
methods originate from the San Ti Shi". The San Ti Shi is formed by first
placing the feet together with body erect.
The arms hang down beside the body. The toes of the right foot turn out at a 45
degree angle. The legs bend at
the knees as the weight of the body shifts to the right leg. The left arm rises
up to the front of the chest with the
palm facing down and fingers pointing to the front. The right hand rises up
directly above the left hand (the right
index finger is in line with the left middle finger). Both elbows are bent. The
left foot steps to the front with the two
heels in line with each other. The distance between the two feet should conform
to the length of the lower leg. To
check the width of one's stance, place the knee of the right rear leg down to
the ground. The knee should fall directly
next to the left front heel. Should the distance be different, simply adjust the
feet to fit this width. The knees are
bent with the weight distributed 60 percent on the rear leg and 40 percent on
the front leg. Consequently, this
stance is often referred to as the 60/40 stance. At the same time, the left hand
straightens to the front. The fingers
point up with the palm facing out at an angle. The wrist is at shoulder level.
The elbow is bent at an angle of
approximately 135 degrees. The wrist of the left arm should be directly above
the ankle of the left leg; the elbow
of the left arm should be directly above the knee of the left leg; and the left
shoulder should be directly above the left hip.
The nose,
the index finger of the left hand, and the toes of the left foot should be
aligned in a straight line. The right
hand lowers down to the front of the lower abdomen. The base of the right thumb
is pressed against the navel. The
eyes look in the direction of the left hand. The head should be held upright
with the chin slightly tucked in. The tail
bone should be slightly curled under to allow the spine to become straight. The
chest should be hollowed and the
abdomen should be filled. These requirements should be maintained throughout the
entire routine."
- Ted W. Knecht, Yongnian Taiji Martial Arts,
Xingyi
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"From wuji we move into
another standing posture that is called san-ti. The san-ti is the
primary posture of Hsing-i.
In fact, about 60 % of the Hsing-i student's time is spent holding this
posture. The transition from wuji to san-ti is
made by bringing the feet together and then raising the arms with the
palms facing up along your sides. As your
hands reach above your head, they begin to close into fists with the
thumb side closest to your body. Sink your
chi as the fists are lowered to the pelvis level. The right fist screws
inward and up along the center line of the body.
This screwing is started in the ground and involves the entire right
side of the body. However, do not sacrifice your
vertical posture. As the right fist screws upward along your center, the
hands rise at a 45 degree angle away
from the body. When the right fist reaches the level of the chin, the
left side begins its movement. Just as on the
right side, the left's movement starts from the ground and is done in
unison. The left fist screws and follows a
path along the center of your body. The fist moves away at a 45 degree
angle and passes over the right fist.
As the left fist passes the right, the hands rotate and the right hand
is pulled back to a position to the right
of the tan tien. The left hand goes forward and is held as shown.
Examine the photographs closely. But I
must point out that which can not be captured on film. The intent of the
lead hand is to project forward while
the intent of the rear hand is going back to counterbalance the action
of the lead hand. This is an important
point that will become more clear as we examine the requirements of the
san-ti posture. As the left foot
extends forward, the left foot will also step out with the toe pointing
straight. About 70% of your weight will
be held in the rear leg.
The Hsing-i classics address this transition. Essentially the classics
state: "the movement is started
with the intent of the mind." With this intent the bear and eagle
combine to move the body without further
thought or consideration. In regard to this, here is a translation of
the Song of Tai chi: "The mind has
already moved, and the boxing has started. (The boxing) is hard and
soft, empty and full,
opening and closing, rising and falling. "
Hsing-i postures, to include the fists and animals, have four
requirements that must be met at all times if a
sound structure is to be maintained. Let us look at the four
requirements we need for standing practice.
They are: chicken leg, dragon body, bear shoulder, and tiger embrace.
The details of these requirements
are spelled out in the Hsing-i classics. I will attempt to summarize
them for you here.
"Chicken Leg" refers to the manner in which the feet and legs are held.
First, the toes must grasp the ground to
secure the feet in their place. The legs are held as if screwing into
the ground. The effect of which is felt in the
knees which are inclined slightly inward. The heels will feel as though
they want to push out, but the toes hold
the feet in place. As a result of the inward inclination of the knee,
the inner thigh is opened. The pelvis is relaxed
and allowed to sit back and rest on the rear leg. The hui yin is raised.
The focus of the balance should be on the
bubbling well of the foot. The toe of the lead foot points straight
while the toe of the rear foot points about
45 degrees outward. The knee of the lead foot should be above its heel.
The distance between the two feet
should be comfortable.
"Dragon Body" refers to the turning of the torso in the direction of the
rear foot. The head will remain looking
straight ahead, however. A key point here is to relax the inner groin
and sit back on the rear leg. The muscles
along the ribs should also relax as much as possible to allow for good
rotation. Do not rotate the pelvis. It remains
oriented toward the front. Also, keep your posture straight and erect.
The dragon body accentuates the intent of
the lead hand to go forward and the rear hand to counter balance it to
the rear.
"Bear Shoulder" helps keep the structure sound by relaxing the shoulders
and allowing them to roll forward from
the side as opposed to hunching them over the top. Think of hollowing
the chest through relaxation to help you
fulfill this requirement.
"Tiger Embrace" ensures that the arms will keep a sound structure while
sending and receiving energy. The palms
will be hollow and the tiger mouth open (area between the thumb and
index finger). You must always drop the elbow
and sink the shoulder. This ensures sound structure and also acts to
protect your ribs. Remember to relax and
hollow the chest or there will be too much tension and your chi will
rise. The index finger will be on the same plane
as the big toe of the lead foot and the tip of the nose.
- Jim Dees,
Hsing-I:
An Examination of Principles
"The San Ti Shi is based on the
stances used in the Xing Yi exercise which is said to have originated by General
Yue Fei (1103-1142) of the Jin Dynasty or, according to authentic historical
records, by Dai Longbang during the Qing Dynasty (1644-1911), who passed it on
to Li Luoneng, a wushu master in Heibei Province. Using internal strength
cultivated through this Xing Yi exercise, Li managed to conquer every single one
of his adversaries in fighting contests and earned the nickname of Holy Fighter.
Li's style was later known as "neijia," or "internal school of boxing," which
lays emphasis on developing internal strength through exercises. The most basic
technique to be learned by a neijia practitioner is the standing exercise. As a
saying among Li's descendants goes, "The standing exercise is to martial arts
what a granary is to food grains."
The three-harmony standing exercise is explained in some of the writings by
neijia masters, with the main points as follows:
1) Stand upright and turn the body 45 degrees to the right, using both heels as
pivots. Bend both legs slightly so that the knees are directly above the toes.
Meanwhile, clench both hands into fists and place them on the hips with palm
side down.
2) As you inhale deeply, bring the right fist up to nose level with the arm held
close to the body and turned externally so that the knuckles of the fist face
forward, while the left fist remains on the hip with the knuckles turned
downward.
3) As you exhale, lower the right fist to chest level and, with the left arm
drawn close to the body, bring up the left fist to nose level, unclenching it
when it passes over the right hand.
4) Then move the left foot about two foot lengths to the front and strike out
with the left hand at nose level while unclenching the right fist into a palm
and pressing it down to the right "riyue" point as if to protect the rib cage.
5) As the foot and hand movements are completed at the end of exhalation, both
legs are slightly bent and the bulk of the body weight is on the rear leg, with
the left arm bent at an angle of 135 degrees and the palm facing obliquely
downward like a tiger's claw, that is, with thumb and index finger forming a
semi-circle and the other fingers naturally extended.
6) Keep standing in this position for as long as you don't feel tired.
Traditionally, one would stand for at least three minutes on each foot.
By "three harmonies" we mean, externally, 1) proper alignment between hands and
feet (with fingers above toes); 2) proper alignment between shoulders and hips
(also with the two on a vertical line); and 3) proper alignment between
shoulders and hips (also with the two on a vertical line)."
- International Sun Tai Association,
San Ti Shi: "Three Harmony"
Standing Exercise
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Michael Garofalo standing in San Ti Shi
Red Bluff, California, November 2006
"Standing still in the circle of trees, in the
sacred space,
From the edge, the cosmic circle opened,
The cottonwood leaves spoke with the wind,
one wet and chilly morn,
feet rooted, toes clawing the earth, sunk deeply down;
twisted like a dragon, alert, poised, ready to fly;
settled like a bear, strong, full of power, gathering;
looking through the tiger's eye, mind-intent, penetrating;
embracing the Trinity of Body, Mind, and Spirit,
as ancient as Now, the Three Bodies, all still, all one.
Chang San-Feng slipped inside, smiling,
he stroked his long beard and spoke softly,
"Ah, another old man standing so still in San Ti Shi.
Continue, my friend, stand in peace, touch the mind.
The subtle winds of understanding blow down the centuries.
When still, fly like the Eagle; when moving, walk like the Mountain.
Tame the Tiger within, ride the Tiger to the temple, and roar in
silence.
Awaken like the Bear from the winter of the soul, and rise like a Man.
Feel the vital energies from
bone to brain,
Sense the Great Tao before you Now,
Drop delusions, break through the Gate of Mystery,
Embrace the Center, Empty, unattached, ready to be filled
With boundless beauty, everything There, marvelous beyond words."
the sun rose over the shadows,
my legs shook a little;
the cosmic circle trembled,
the Master had gone."
![]()
"The San-t'i ("three essentials") posture, the basic Hsing-i posture,
generates both the Five Fists and the Twelve Animals. Your head should
press up as if balancing a book, you elbows and shoulders should be held down,
and you knees should be well bent, thus lowering you hips, forming a crease
where you lower abdomen and thighs meet (the inguinal area). You weight
should be distributed so that the rear leg supports 60% of it. You left
arm should be extended, the elbow slightly bent and the fingertips at eyebrow
level. You left hand should be open and stretched to form the "tiger
mouth" as it strikes forward. Your open right hand should be held palm
down, but the fingers pointed upward to protect the groin. Finally, your
eyes look at your left index finger, gazing past it, focusing on a point ahead.
... Your left foot is now on a line slightly to the left (about a fist's
width) of your right heel. The length of your advancing step should accord
with your height."
- Robert K. Smith and Allen Pitman, Hsing-I: Chinese Internal Boxing,
1989, p. 34
"The foundation of Xingyiquan is it's stance
keeping practice called San Ti Shi (also known as San Cai) , which means "Three
Body Posture" or "Trinity Posture." It is the very core of training and develops
many of the qualities essential to the development of martial ability.
The "three bodies" refers to the three phases all together, i.e. heaven, earth,
and the human being. It corresponds to the head, hands, and feet in Xingyiquan.
These phases are again divided into three sections.
Head - The position of the head is the key to the alignment of the whole body. When standing, the head is gently lifted upwards allowing the entire body to release tension and align itself properly with gravity. The chin is slightly tucked down and in while the head is pulled back and slightly up, as if hung on a meat hook. The Eyes are level, looking straight ahead and into the distance. Sometimes the eyes will be closed. The ears "listen" behind you and to the sounds of the body. The facial muscles remain relaxed; one should not wrinkle the forehead creating tension between the eyebrows. The tongue is curved upwards, touching the roof of the mouth and thus connecting the Ren and Du meridians, allowing the circuit to complete and the qi flow smoothly.
Body - The body should be centered and balanced.
The shoulders drop and "get behind" the arms as the chest is relaxed and sunk
slightly inwards. The shoulders should never lift upwards and should align with
the hips. The buttocks are relaxed and have a sinking feeling. "Get into your
legs" by pulling the tailbone slightly forward and under. This roots you better
to the earth and straightens out the spine. The testicles should be lifted. As
the body moves forward, the head and shoulders should reamain on the same
horizontal plane.
Hands and Arms - The arms and hands are relaxed and held in gentle curves. They
should never be fully extended. The fingers are separated and "shaped like
hooks," allowing the qi to flow to the ends of the fingertips unimpeded. The
hands are open and the palms deep. The elbows should feel heavy (with the mind)
and remain dropped, protecting the ribs. "The hands never leave the heart, the
elbows never leave the ribs." The index finger of both hands should be on the
same vertical plane as the nose, or your centerline. The bottom hand should be
at the navel or Dan Tian area.
Feet and Legs - The knees are slightly bent,
never passing the vertical line which passes through the tips of the toes. Your
weight should be in the back leg in a 70/30 distribution. This may vary a bit
depending on the style. The feet grip the ground as if you were trying to pick
up the ground with your toes. They should be visualized as twisting inwards and
down like the powerful roots of a tree, gripping the ground - rooted, but ready
to move without a thought."
-
Konghua Xingyiquan Empty
Flower Xingiquan. By Dave Devere.
"Stand with front knee over heel, lead hand along center shoulders relaxed (allowing the elbows to drop inward) and second hand beside lead elbow. Second hand can be open or closed, depending on your school, or whatever you feel like 'expressing'. Generally the closed fist (heart) is a Phoenix eye, and an open palm can be either thumb and 4 fingers flat (as if on a table) and slightly open (cotton balls) or thumb underneath fingers, as if holding a small steel ball.
Feel your body sinking into the posture, as
if you are continually sinking and never quite being able to 'arrive' in that
posture. Imagine a 1000 lb. Steel ball suspended from a chain off you tail bone
into the center of the earth, and allow the feeling if downward pull to go
through your legs from the sheer weight of it. Attach a string to the crown of
your skull (bai hui point) and have it pull upward, the combined effect with the
steel ball will elongate the spine and open meridians. Another analogy for bai
hui is to imagine a 'meat hook' in the back of your skull pulling up, or to
imagine a 'push button' for a light above your head, and your have to push up on
the button to keep a light on.
Feel the skin from your elbows to your fingers getting heavy. All the weight in
your arms and body is sinking into earth. The skin on your arms (elbow to
finger) is starting to sag from its weight, and eventually hangs tattered off
the bone. Feel the sinking in the bones as the body continues to 'fall' into
this posture. Maintain this for a few minutes.
Between your fingers imagine there is cotton balls. Experience the feeling of
them and embrace them with your fingers, but don't 'flatten' them, they are
delicate. Feel the weight of a steel ball in each open hand; allow the weight to
flow evenly through to the elbows, creating a balanced heaviness throughout the
arm. Try to 'feed' the lead hand forward, as if pushing the steel ball through
extremely thick mud, simultaneously drawing the reverse hand back. Feel the
connect wrap around the body and through the spine and into the legs. This is
the action of split (reverse, opening) and the element of metal (sinking,
condensing)."
-
San Ti Shi Visualization Exercise
"The most basic technique to be learned by a
neijia practitioner is the standing exercise. As a saying among Li's descendants
goes, "The standing exercise is to martial arts what a granary is to food
grains."
The three-harmony standing exercise [San Ti Shi] is explained in some of the
writings by neijia masters, with the main points as follows:
1) Stand upright and turn the body 45 degrees to the right, using both heels as
pivots. Bend both legs slightly so that the knees are directly above the toes.
Meanwhile, clench both hands into fists and place them on the hips with palm
side down.
2) As you inhale deeply, bring the right fist up to nose level with the arm held
close to the body and turned externally so that the knuckles of the fist face
forward, while the left fist remains on the hip with the knuckles turned
downward.
3) As you exhale, lower the right fist to chest level and, with the left arm
drawn close to the body, bring up the left fist to nose level, unclenching it
when it passes over the right hand.
4) Then move the left foot about two foot lengths to the front and strike out
with the left hand at nose level while unclenching the right fist into a palm
and pressing it down to the right "riyue" point as if to protect the rib cage.
5) As the foot and hand movements are completed at the end of exhalation, both
legs are slightly bent and the bulk of the body weight is on the rear leg, with
the left arm bent at an angle of 135 degrees and the palm facing obliquely
downward like a tiger's claw, that is, with thumb and index finger forming a
semi-circle and the other fingers naturally extended.
6) Keep standing in this position for as long as you don't feel tired.
Traditionally, one would stand for at least three minutes on each foot.
By "three harmonies" we mean, externally, 1) proper alignment between hands and
feet (with fingers above toes); 2) proper alignment between shoulders and hips
(also with the two on a vertical line); and 3) proper alignment between
shoulders and hips (also with the two on a vertical line).
Furthermore, internally the term refers to 1) harmony between mind and will,
which means that only with concentration of mind can you attain a state of
tranquility and use the power of the will; 2) harmony between will and "chi",
which means that only by the power of the will can chi be conducted up and down
the body without interruption; and 3) harmony between chi and force, which means
that the internal organs will relax when chi descends and contract when chi
ascends, thus creating a force which, as vividly described in The Yellow
Emperor's Canon of Internal Medicine, "lies hidden as if in a drawn crossbow and
which is capable of displaying the power of a released arrow," a force that is
often effectively used by wushu masters for knocking down their adversaries and
by qigong masters for treating their patients. "
- San Ti Shi,
International Sun Taijiquan Association
4. Chen Taijiquan Post Standing Posture
I began the study of the Chen style of Taijiquan in March, 2007, at the age of 61. In my very first lesson from Carmine Farruggia, he gave me instructions on how to do Chen style post standing. His descriptions closely match those provided by Mark Chen is his fine book "Old Frame Chen Family Taijiquan," 2004, pp. 68-72. Mark Chen said that the standing meditation exercise is from Small Frame Chen Style (xiao jia).
Stand in a horse stance, knees bent, back
straight, with the insteps in line with the outsides of your shoulders.
Your feet should point outwards very slightly, with the knees forward.
Keep the weight evenly on the ball and heel of the foot.
Some tension is the perineum area should be maintained, as with yoga postures
like mula banda (root energy lock).
Tuck your bottom of the pelvis/hips forward to open the inguinal area (Kua).
Keep your shoulders down, and your head erect.
Both eyes focus on the tip of the middle finger of the right hand, with a soft
focus. Eyes should be halfway closed.
Your weight is centered. Aim at feeling deeply rooted, sunk, connected
with earth energies.
Your right hand is held in front of your face, fingers pointing upward, fingers
straight and close together. The middle finger is in line with the nose.
The middle finger is about 8" inches from the front of the nose. The palm
faces to the left. The elbow should be soft and buoyant.
The left hand makes a hook hand (i.e., left thumb touches the four fingers).
The hand is placed on the lower back, at the Ming Men point, in the lower lumbar
area. The fingers of the left hand point up and the side of the hand rests
on the back.
You settle and sink into the horse stance as low as you can go and hold the
posture.
Breathe as slowly, gently, and evenly as possible.
The mind should try to center one's awareness on the central abdomen, in the
Dantien.
Try to maintain a feeling of
Sung: alert, open, and
"relaxed."
The correct posture is rather uncomfortable, and can be quite painful to
maintain.
A beginner might want to aim at practicing, for example, four times a day for 3
minutes each practice session, for the first month of practice. Gradually
increase the length of the practice time.
Although attention should be on the Dantien, practitioners will need to monitor
the aspects of their posture and make corrections as is necessary.
Mark Chen writes: "Correct, move on, correct again. If you do this diligently over a period of months, you will find that your posture drifts less during each successive practice session because your awareness expands; part of your consciousness remains where you made a correction, even when the center of your attention moves elsewhere. You will eventually develop a comprehensive awareness of your entire posture so that your mind is free to focus where it will without loosing track of any individual part. This is the primary objective of this exercise, and a necessary step in learning Taijiquan."
Carmine Farruggia wrote to me by email on
3/5/07: "Right hand about 8 inches from nose. Eyes half way closed.
Concentrate on the Dantien. Left hand fingers all touching thumb. Left
hand on the Ming Men. Sit in your Kua as far as you can. Suspend from
the top, drop down from below. Do this from 1 to 3 minutes. If this time is
easy then you are standing too high."
5. Bear Spirit Standing Posture
"The Bear Spirit Posture: The name of this posture is derived from
a wonderful carving of
the Northwest Pacific Coast Indians in which the Grandfather Bear Spirit, the
Great Healer,
stands behind a shaman who holds the pose. It is very old and, of all the
postures, is the
most widely known. Evidence of it has been found in countries throughout
the world, and
historically it has existed from 6,000 B. C. to the present."
- Belinda Gore,
Ecstatic
Body Postures, p. 49. See my comments on
Wu Ji.
Description:

"Standing Meditation is the single most important and widely practiced form
of gigong,
integrating all elements of posture, relaxation, and breathing previously
described. It
is a way of developing better alignment and balance, stronger legs and waist,
deeper
respiration, accurate body awareness, and a tranquil mind."
- Kenneth S. Cohen,
The Way
of Qigong, p. 133.
"This practice is part of an ancient Chinese health system of
exercises. One of the first
references found about this type of exercise is in the Huang-Ti Nei Ching
(Classics of
Medicine by the Yellow Emperor, 2690-2590 B.C.E.) which is, by the way,
probably one of the
oldest books in the medical field. This posture, practiced and transmitted
secretly in martial arts circles, has been openly shown to the public since the last
century. Wang Xiang Zhai, a very famous martial arts master of that period in China, made
of
this technique the base of a new martial art that he called I Chuan (Mind
Boxing). He
used to say, "The immobility is the mother of any movement or
technique."
- Victoria Windholtz, Standing Like a Tree
"Although there is no obvious movement, they are deeply engaged in one
of the most
demanding and powerful forms of exercise ever developed. It is so utterly
focused on deep, internal growth that it literally requires learning to stand like a
tree. It is known in
Chinese as Zhan Zhuang, "standing like a stake', or "standing like a
tree." It is pronounced
"Jan Jong", or in southern China, "Jam Jong".
- Mater Lam, Kam Chuen,
The
Way of Energy, p. 11
"Classical admonitions for
standing practice include: keep head upright (raise the baihui) and the body straight; eyes gaze forward and level; hollow the chest and raise
the back (careful, does not mean "hunch"); relax the waist and huiyin
(perineum); sink the shoulders and elbows; extend the fingers; keep the kua (inguinal crease) open and
the dang (crotch) rounded; tailbone hangs straight down; weight balanced over yongquan
(bubbling well points behind balls of feet); qi circulates freely and completely throughout
body."
- Michael Jones,
Zhan
Zhuang
"If I had to choose one qigong technique to practice, it would undoubtedly be this one. Many Chinese call standing meditation "the million dollar secret of qigong." Whether you are practicing qigong for self healing, for building healing ch'i, for massage or healing work on others, standing is an essential practice. Acupuncturists feel that by practicing standing meditation they can connect with the ch'i of the universe, and be able to send it through their bodies when they hold the acupuncture needle ... Standing is probably the single most important qigong exercise. One of the reasons that standing is such a powerful way to gather and accumulate fresh ch'i in the body is that during the practice of standing the body is in the optimal posture for ch'i gathering and flow."
- Kenneth S. Cohen
"The most basic method of training is zhan zhuang.
Zhan zhuang is an exercise common to
many Chinese martial arts, including Taijiquan. Usually, the practitioner
stands with the arms
held as if holding a large ball. However, the zhan zhuang exercise can be
practiced using any
of the end postures of the Taiji form. During "standing"
practice a static posture is maintained
for a period of time while using just enough strength to maintain the
posture. ... Benefits
of zhan zhuang include deep relaxation, strengthening of the legs, and increased
internal qi.
The first requirement is to have a calm mind. This can be achieved in a
number of ways - for
instance, concentrating on the Dantian, paying attention to one's breath, or
silently counting.
Through standing practice, emphasis is place upon developing awareness of
maintaining the most efficient and relaxed structural alignment necessary to hold the
position. Prolonged
practice, along with enhancing postural awareness and tranquility of mind,
greatly develops
the strength of the legs. When the legs are strong and can bear weight
firmly, then the upper
body can relax and sink down into them, making the top more flexible. ...
Taijiquan requires
lightness and sensitivity in the upper body. At the same time, the lower
body should have a feeling of extreme heaviness and connection to the ground. This feeling is
often compared
to a large tree with deep roots. While the branches move and sway in the
wind, the trunk
is solidly anchored by its roots."
- Davidine Siaw-Voon Sim and David Gaffney, Chen Style Taijiquan,
2002, p. 106.
" Stand naturally, the hands loosely at the sides. The ears, shoulders, hips, knees, and ankles should all be aligned when viewed from the side. Close the mouth, and place the tip of the tongue on the upper palate behind the teeth. The eyes may be open or closed. Fangsong (relax the mind and body)
Mentally repeat the verse "weight balanced, mind balanced, listen behind, qi balanced in the dantien."
Slowly bend the knees, lowering the center of gravity, and relax the hips.
Shift weight to the right leg. Sink down, and lift the left heel, followed by the toes.
Step out to shoulder width, with weight still on the right leg. Slowly shift weight back to the center of the body, so it is evenly distributed on both legs.
Mentally repeat the verse “weight balanced, mind balanced, listen behind, qi balanced in the dantien."
Beginning from the medulla and proceeding downward, relax each vertebrae in the spine, counting to 9 for each vertebrae.
Slowly raise the arms to a shoulder height and width position, as if holding a large ball.
Depending on one’s fitness, the arms may be held at a greater than shoulder width. As the arms rise, simultaneously sink the hips more. Relax. Keeps wrists and fingers loose and relaxed.
Mentally repeat the verse "weight balanced, mind balanced, listen behind, qi balanced in the dantien.”
Assume a posture with the chest concave, shoulders and hips relaxed, the dantien area relaxed, the back straight. When all these requirements are met, your body will feel comfortable.
Hold this position for a set period of time. Beginners should work gradually to a time frame of at least 20 minutes.
Mentally repeat the verse "weight balanced, mind balanced, listen behind, qi balanced in the dantien.”
Very slowly lower hands to the sides, standing up as they drop, but not completely.
Keep the hips relaxed. Allow the qi of the shoulders to flow downward to the hips: the elbow qi to flow downward to the knees: and the qi of the hands to flow downward to the feet.
Mentally repeat the verse "weight balanced, mind balanced, listen behind, qi balanced in the dantien.” Relax any tense areas in the body.
Slowly shift weight to the right leg. Lift heel and then toes of the left foot, and move it inward next to the right foot. Place first toes, then heels on the ground.
Mentally repeat the verse "weight balanced, mind balanced, listen behind, qi balanced in the dantien.” Count silently to 9. Stand up fully."
- Hun Yuan Zhuang,
The Practice of Zhuang Gong
"Taming the Playful Monkey
The Chinese refer to the mind as the playful monkey always jumping from one thing to another.
Zhan Zhuang Standing is about being mindful. Mindfulness of your presence
in the present moment. Mindfulness of your body.
Mindfulness of your relation to your surroundings. Awareness on the waves of
energy that ripples through you and the universe.
Awareness of the field of energy that unites everything into one great
being. Simpley being mindfull of the way (tao).
If your mind start to wander off, while standing there are quite a few remedies to tame the playful monkey and enter into the present moment.
Open your eyes and glare into the far distant horizon with a soft focus on everything without any specific attachment (to avoid daydreaming)
Start watching your own thinking without any attachment to the different thought patterns that naturally arises in your mind.
Accept the present moment what ever it brings and you will release the mind.
Try becoming intensely aware of all sensory input to the finest detail in the far background.
Enter into your body with your mind and listen to the myriad of changes that constantly takes place.
Seek out tensions in your body and then release the tensions with your mind by softly blowing hot hair into the areas of tension, and then tensions will dissolve themselves.
Glare into the far distant imaging your are on beautiful island in the Caribbean standing on the beach looking at the sunset.
See your self standing out on the face of the earth as a single hair follicle.
Imagine your are standing in water to your nose (if you wobble).
Imagine your are rocket about to take off into the far space (if your feet feels numb or your lower part feels heavy).
Imagine your whole body as light as a feather. Or a balloon that can blow away in an instant with the wind ( if you feel heavy ).
Rest the mind on the center of the body (dan tian) and feel the raise and fall of the waves of energy. Expanding the energy to the skin of the body and beyond. Contracting and storing up the energy. Feel the energy bouncing to the center of the earth and back.
Circulate the energy in the micro-cosmic orbit.
Just barely notice your own breath through the nostrils when you breathe in and out.
Articulate the sound “heng” as a long soft in-breath with your center (dan tian) when breathing in and articulate the sound “ha” as a deep bass humming in your center when breathing out.
Say “I am here or just here” breathing in, say “now” breathing out.
Say “I have arrived” breathing in, breathing out say “I am home”.
Smile to your self. Smile to your body. Smile to your heart, liver,
lungs, spleen and kidneys in appreciation.
Smile to the world. Release your mind. Be happy and full of joy."
-
Suggestions from Thomas, All-Round Pole Standing Qigong
"Stand with feet apart at shoulder width, toes point forward or slightly
outward. Bend the knees and sit down slightly, weight centered firmly on the soles of the feet. Keep the head and
spine erect from tip to tail, chest empty (i.e. relaxed and slightly concave, never stuck out) and stomach full and
relaxed, not pulled in. Gaze straight ahead, eyelids hanging relaxed over the eyes. Rest the tip of the
tongue on the upper palate behind the front teeth, let the lips and the teeth hang slightly open. Arms hang by the
sides. The body should feel perfectly poised, relaxed but not slack, breathing completely natural and no
joint locked, as if the body is suspended in air, hanging from the top of the head by a string.
This is the basic standing posture. Stand like this for a few moments relaxing
the whole body and collecting one’s thoughts before assuming the following posture.
Raise the arms to shoulder level, keeping them curved as if holding a ball in each arm. Keep the fingers apart slightly curved, palms pointing in and slightly down. Hands are at shoulder distance apart, and about three fists distance from the chest. Elbows should be slightly below the level of the wrists. Shoulders must be relaxed, not hunched, with a slight sense of outward stretching, so the chest feels open, neither sticking out nor constricted. Curved arms should also have a slight sense of inward force, as if not letting a ball drop, though no physically in tension.
The posture is most suitable for those without any particular illness to strengthen the constitution, prevent illness and promote health into old age.
- J. P. C. Moffett, Wang Xuanjie,
Traditional
Chinese Therapeutic Exercises: Standing Pole.
Foreign Languages Press May 1994. ISBN: 7119006967. Pages: 49-52
"Find a comfortable and convenient place to stand, with your feet about shoulder width apart and parallel, and start to feel the support of the Golden Cord holding you up from the top of your head, held by Kuan Yin, the Chinese Goddess of universal compassion. Just allow your body to relax and hang off that cord. Allow Kuan Yin to do the work of holding you up, just trust her to do her job.
Allow the weight of your body, and any tension in your body, to start to drain out, starting from your head,
through your face, your neck, your shoulders, your arms, your wrists, your hands, your torso, your belly, your pelvis, your thighs, your knees, your ankles, your feet, all the way down into a reservoir three feet under the ground.
Allow even your feet to relax, with your weight going down into the ground just forward of the heels, so the front parts of your feet don't have to exert any force on the ground, and can sit easy and relaxed on the ground, king of like the webbed feet of a duck.
Imagine you have a horse between your legs, and that the very bottom part of your body is resting on the saddle of that horse. So there's a feeling of the weight being taken on your perineum - that's the very bottom point of the body. Relax into the support you're feeling there. Relax the buttocks and the anus - create a feeling of everything opening down to the ground.
Feel your pelvis like a bowl full of water.
Now imagine strings attached to your wrists, held by Kuan Yin, the Chinese goddess of compassion.
In a few moments you will feel her lifting up your wrists by these strings.And as she lifts up your wrists, allow the shoulders to relax and open as much as they can. One good way to do this is to imagine all the joints of the shoulders expanding, just a little more space in all the joints of the shoulders, as if every bone in the shoulders is getting just a little further apart from all its neighbors.
Have your palms facing your body at around the height of your heart, so that there's a round space between your arms and your body, as if you were hugging somebody. By the way, one of the Chinese names of this position is 'Hugging the tree.' You can even do this while really hugging a tree if you want to.
Allow the shoulders and elbows to roll down and back, making more space, as if opening your arms to hug somebody, greeting a long-lost friend, opening your arms, saying 'AAAAh!, good to see you!'"
- Chi Kung Standing Meditation, Instructional CD, by Martin ?
"In its most pure form, kyudo is practiced as an art and as a means of moral and spiritual development.
Many archers practice kyudo as a sport, with marksmanship being paramount. However, the highest
ideal of kyudo is "seisha seichu", "correct shooting is correct hitting". In kyudo the unique action of expansion (nobiai) that results in a natural release, is strived for. When the spirit and balance of the shooting is correct the result will be for the arrow to arrive in the target. To give oneself completely to the shooting is the spiritual goal. In this respect, many kyudo practitioners believe that competition, examination, and any opportunity that places the archer in this uncompromising situation is important, while other practitioners will avoid competitions or examinations of any kind."
-
Kyudo - Wikipedia
"By yourself, try all the same things standing
with your feet parallel to each other, about shoulder width
(or less) apart, with your knees just slightly bent. Relax your shoulders,
shoulder blades, and chest. Gently
adjust your coccyx (tail bone) so that it is more or less pointed directly down
toward the ground. When this happens,
the arch in your lower back will naturally flatten out. See if you can sense
your lower back and sacrum connecting
directly to your legs. (Remember to let your arms hang naturally at your sides
with your palms facing back.) Once
you are more or less comfortable in this posture, use your attention to slowly
scan your entire body from the top
of your head to the bottoms of your feet, noting where there is any unnecessary
tension in your muscles. As you
scan your body, do not attempt to change anything. Simply observe and sense.
Once you reach the bottoms of
your feet, start again from the top of your head and see if you can gradually
release any unnecessary tension in
your muscles downward through your body into the earth. As you try this, you
will begin to sense a new dimension
of inner balance, a sense of being supported by and rooted to the earth. Start
out by standing this way for at least
five minutes a day. Once your legs and pelvis begin to feel comfortable in this posture you can move on to ten
or fifteen minutes a day or more.
After undertaking this practice for a couple of weeks, begin to experiment with
it in your ordinary life-as you talk
to friends, wait in line, and so on. The idea is not to take the same exact
posture that you take when working alone,
but rather to have the continuing sensation of releasing all your muscular
tension downward through your body into
the earth. See if you can "just stand" with your weight equally distributed
through both feet and your arms at your
sides, totally open to whatever impressions or perceptions the moment may bring.
If you observe a thought or
emotion making some part of your body tense, just return to the sensation of
releasing this tension downward
into the earth. As you continue to work in this way in whatever circumstances
you may find yourself, you will
begin to discover a deep sense of relaxation not just physically, but also
mentally and emotionally. You will find
yourself spontaneously "letting go" of much that is unnecessary in your life."
- Dennis Lewis,
The Transformative Power of Conscious Standing
An old Chinese Zen Master once said, "Some of you are taking me literally when I say, 'Don't think,' and you are making your minds like a rock. This is a cause of in-sentiency and an obstruction to the Way. When I say not to think, I mean that if you have a thought, think nothing of it."
"Body is the bow,
asana is the arrow,
and soul is the target."
- B.K.S. Iyengar
"The foundation of the internal martial arts (and many external
martial arts as well) is the practice of "stance keeping" or Zhan Zhuang.
In the Xing Yi Quan system, stance keeping is the very core of training and
develops many of the qualities essential to the development of martial ability.
... The root of efficient movement is stillness. Therefore, a
logical place to begin training is simply standing still. Standing still,
one may reduce the number of variables to be dealt with to the bare minimum.
The mind may naturally quiet and focus itself on the felling of correct posture
and true balance. The first goal of standing is to return to the state of
"not-doing" anything, thereby inhibiting previously acquired bad habits and
allowing the neuromuscular system to register the feeling of natural balance
until it once again becomes the predominant state. Any movement initiated
from this state of true balance will naturally have power."
- Tim Cartmell, p. 58, Xing Yi Nei Gong
"Beginning students bust first stand 'hun yuan
zhuang' (Standing meditation. 'Hun' = mixed, foggy, obscure, confused, all over
etc. yuan = beginning, zhuang = 'post') The body must be stilled and intentioned
must be focused on 'wuji'. From stillness into motion is the taiji. ...
The single palm change is the mother of ten thousand palms. The mother palms
give birth to them all. Its place is between stillness and motion. It could be
moving; it could be still. Towards movement but not moving. The San Jian Zhao (3
points stance) of Baji, the San Ti Shi of Xing Yi Quan, the Bu Chan Shi
(Snatching a Cicada Stance) of Preying Mantis, The Ti Shou Shi (rising hands
stance; the opening position) of Taijiquan, all of them follow this logic. The
incredible power of baguazhang can all be found withing the single palm change."
- Baguazhang of Liu
Yun Chiao
"In the zhan
zhuang form, you do literally "stand like a tree;" your arms assume
positions resembling the branches of a tree while your feet and legs remain
motionless. Some instructors include the visualization of roots reaching out
from the soles of your feet and spreading into the soil.
Like all qigong, the intent of this form is to maintain the
free-flow of your internal energy (qi or chi) since
stagnant or blocked energy is at the root of most illnesses. Zhan
zhuang delivers the added benefit of actually increasing your internal
energy and making you stronger as you stand while holding your arms in each of
the five basic positions. It is recommended that you begin with five minutes and
build up to standing for about thirty minutes each day."
-
Standing Meditation, Living Stress Free
"Zhan zhuang practice typically begins with wuji
zhuang, a balanced posture with arms down at the sides of the body. A
transition into cheng bao zhuang (’Embracing the Ball’ Stance) consists
of raising the arms up and forward. This action shifts your center of gravity
forwards, and unless you compensate for this shift with another part of your
body, you will immediately topple over. When you adopt
different postures with the arms, you must
engage different muscles in the legs and back to remain upright. At
first, this will feel uncomfortable, as it increases the load on your entire
body; nevertheless, it is correct. This discomfort does not necessarily mean
you have violated the principle of no-force; rather, it simply shows that your
body is not yet strong enough. One of the signature benefits of zhan zhuang
practice is development of hunyuan li, or unified martial force. To
gain this benefit to the fullest degree, be sure to practice with your whole
body."
-
Do You Make This Zhan Zhuang Mistake
"Begin by standing with your feet parallel and about shoulder-width apart. Take a couple of deep long breaths, saying “aaah” (either out loud or to yourself) with the exhales. Let go of any tension you find in your shoulders, neck or face ~ simply let it “melt” away, with the exhale … as though that tension were a frozen river, being touched now by a warm sun, and flowing downward, like the gentle cascade of a waterfall, forming pools at your feet. Feel your energy, your awareness, settling into your feet & legs & hips & belly, connecting you strongly to the earth. Bend your knees just slightly ~ just enough to feel a softness at the backs of your knees.
Let your arms hang down next to your sides, so that your thumbs are gently touching your outer thighs (which means the backs of your hands will be facing forward). Separate and extend your fingers downward, so that they’re straight without being rigid, and so there’s space between each pair of fingers (as though you had webbed fingers). Now, float your hands directly forward, three or four inches, so they’re hovering now just in front of (but still to the sides) of your thighs. This should create a feeling of hollowness in your armpits. Let your elbows be bent just enough to create a feeling of softness in them.
Now choose a gazing point, eight or ten feet in front of
you. Rest your eyes very softly on that point (or area). (The meditation Masters
of the past have discovered that there’s a connection between the movement of
our eyes, and the movement of thoughts in our mind … So making the eyes still is
a wonderful way to calm the mind.) Try to let that spot you’re looking at
come into your eyes, instead of reaching out (with the energy of your eyes)
to “grab” it. In other words, let your eyes become receptive, instead of active
… Relax your jaw, so that there’s space between your upper & lower teeth, even
though your lips are gently closed."
-
Qigong
Standing Meditation by Elizabeth Reinger
"I call the ancient, natural way of standing
"the Paleolithic Posture." In the Paleolithic Posture, the knees are
slightly bent, the spine is straight, and long, the breath is deep and quiet,
and the eyes are open and alert. The body feels like a tree with deep
roots for balance and tall branches for grace. Although we usually think
of a "posture" as a static pose, it includes our carriage in movement as well.
Since a straight and tall stance confers the greatest balance, sensitivity,
awareness, and alertness, we see it in a scout standing still on a mountain
lookout or walking through camp to a council meeting."
- Ken Cohen, Honoring the Medicine, p. 240
"Standing meditation or Zhan Zhuang is an ancient form of Chi Kung that is gaining popularity in China and the rest of the world. This system is simple on the outside, and as deep as the universe on the inside. Standing exercises are extremely important to Tai Chi training, and the essence of self-healing.
The basic idea for all standing exercises is the use of the mind to move energy. These exercises can be as easy as just standing in a normal posture and breathing naturally, or as complex as twisting the body or sinking into a very deep posture and moving the breath in quite intricate patterns. In any case, the exercises always proceed from simple to complex as the student gains the necessary skills needed to use the mind to move energy.
T. T. Liang, one
of America’s leading Tai Chi masters, used the term “Imagination Becomes
Reality” to describe how Tai Chi and standing meditation works. At first you
imagine certain things, like holding a ball and feeling it expand and contract,
or feeling energy circle in an orbit inside the body. Before long, you will
actually be able to feel these sensations as the mind (Yi) acts on the energy
(Chi) to create internal energy (Jing or Shen). These sensations are, at the
beginning, quite obvious like tingling, shaking, vibrating, or heat. As the body
opens and relaxation happens, the grosser sensations vanish and the movement of
the finer energies becomes possible. In the final stages, time seems to vanish,
the separate ego identity merges with the universal energy or Tao, and the
person has realized his or her own potential. It is a journey requiring diligent
and constant practice, yet is attainable by everyone. Many individuals
throughout history have walked on this path, and their teaching can and should
guide you. There are many pitfalls, obstacles, and quite difficult places, yet
if you follow the advice of those who have gone before, and listen to your inner
self, the potential problems will be minimized."
-
Michael Gilman, Standing Meditation
"Cross-culturally, the posture of standing meditation in
one position with arms at sides and eyes open for at least fifteen minutes is
used in the martial arts, spiritual practices and in the military as a way of
reinforcing and coalescing the three universal powers and of connecting the
practitioner with the greater being of who he or she is.
... The task of the
warrior is to show up, to be visible and empower others through example and
intention. ... Universally
there are three kinds of power: power of presence, power to communicate, power
of position. Shamanic societies recognize that a person who has all three powers
embodies "big medicine." Every human being carries the power of presence.
Some individuals carry such presence that we are drawn to and captivated by
these charismatic people even before they speak or we know anything about them.
A warrior or leader uses the power of communication to effectively align the
content, timing and placement to deliver a message at the right time in the
right place for the person involved to hear and receive it. A warrior
demonstrates the power of position by the willingness to take a stand. Many
politicians have great presence and great communication, but lose power when
they allow constituents to wonder where they stand on specific issues."
- Angeles Arrien,
Four Ways to Wisdom

Standing Relaxation and Meditation Posture
"Wu Ji" is the name of the Chinese Qigong Standing Meditation Posture
"Wu" means emptiness, the primordial undifferentiated
Ground of Being
"Ji" means the limit, the boundary, the terminus, the end
point
"Tadasana" is the name of the Indian Yoga Standing Meditation
Posture
"Tad" means mountain
"asana" means posture, specific body position, ritual
posture
X References: Wu Ji, Standing Meditation, Zhan Zhuang, Standing Post,
Standing Like a Tree,
Yi Quan, I Chuan, Pole Standing

Waving
Hands Like Clouds Homepage
Red Bluff, Tehama County,
North Sacramento Valley, Northern California, U.S.A.
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©
Green Way
Research, Red
Bluff, California, 2008
By Michael P. Garofalo, All Rights Reserved.
This document was first published on the Internet in June, 2005.
Alphabetical Subject Index
Valley Spirit Center, Cloud Hands, Taijiquan,
Qigong, Internal Martial Arts, Walking, Yoga,
Training, Fitness, Gardening, Thinking, Poetry, Mysticism, Taoism, Philosophy
Above the Fog - Zen Poems by Mike Garofalo
Alphabetical Subject Index to the Cloud Hands Website
Ancient Goddesses - Quotations, Poems, Sayings, Prayers, Songs
Animal Frolics (Wu Qin Xi): Tiger, Bear, Crane, Deer, and Monkey
Arthritis Therapy - Exercise: T'ai Chi Ch'uan and Chi Kung
Audio Recordings, Making This Life Significant, Classics Series
Bagua Zhang (Eight Trigrams Boxing)
Balls - Taiji and Qigong Exercises, Medicine Balls
Bear, Standing Bear, Level 1 Ranking, Valley Spirit Taijiquan
The Bear: The Five Animal Frolics (Wu Qin Xi)
Bicycling in Northern California
Bird - Five Animal Frolics (Wu Qin Xi)
Blog - Cloud Hands: Taijiquan and Qigong by Michael P. Garofalo
Blog - Green Way by Michael P. Garofalo
Book of Changes (I Ching) and Qigong (Dao-yin)
Breathing Practices: Bibliography, Links, Resources, Quotes
Broadsword (Dao, Saber): Yang Style
Buddhism - Tibetan: Shambhala Warriorship, Tantra, Yoga
California (Northern) T'ai Chi Ch'uan and Qigong Directory: Instructors, Schools, Information
Charkas (Energy Centers of the Subtle Body)
Chen Style Taijiquan Internal Training
Chen Style Taijiquan Index, Valley Spirit Taijiquan
Chen Style Taijiquan Sword (Jian)
Chi Kung (Qigong) and Yoga Classes, Red Bluff, California. Instructor: Mike Garofalo.
Ch'i Kung: Bibliography and Links
Chi Kung: Bibliography and Links 2007
Ch'i Kung Instructor: Michael P. Garofalo in Red Bluff, California
Chi Kung: Valley Spirit Center Red Bluff, California
Circle Walking - Bagua Zhang (Eight Trigrams Boxing)
Circles and Spheres - Sacred Circles
Class Schedule, Taijiquan, Instructor: Mike Garofalo, Red Bluff, California
Class Schedule, Hatha Yoga, Instructor: Mike Garofalo, Red Bluff California
Classes, Valley Spirit Taijiquan, Instructional Program
Classical Taiji Sword (Jian) Yang Style 55 Movements
Classics Series, Making This Life Significant
Cloud Hands Blog, Mind/Body Movement Arts: Taijiquan, Qigong, Yoga, Walking and Gardening
Cloud Hands Website: T'ai Chi Ch'uan and Ch'i Kung
Cloud Hands T'ai Chi Ch'uan Journal
Comments and Notes on the Yang Style Taijiquan
Confucius (K'ung Fu-tzu) (551 - 479 BCE)
Correct Taijiquan Practice Principles
Crane - Bird - Five Animal Frolics (Wu Qin Xi)
Crane, Soaring Crane, Intermediate Program, Level 3, Valley Spirit T'ai Chi Ch'uan
Cuttings: Short Poems by Michael P. Garofalo
Daoist Medical Qigong Center Studies in 2007
Dao (Saber, Broadsword) - Yang Style
The Deer: The Five Animal Frolics (Wu Qin Xi)
Diabetes Therapy - Exercise: Taijiquan and Qigong
Dictionary of Internal Martial Arts (Nei Jia Quan)
Direction of Movements in Taijiquan and Qigong
Disclaimer of the Cloud Hands Website
Dragon Gate - Taoism - Wudang Mountain Qigong
Druids, Neo-Pagans, Green Men, Shamans
Eight Part Models of the Cosmos
Eight Ox Herding Songs - A Ch'an/Zen Parable
Eight Section Brocade Ch'i Kung
Eight Trigrams Boxing (Bagua Zhang, Pa Kua Quan)
Embrace the One - Zhan Zhuang - Standing Like A Tree
Entering Tranquility (Ru Jing) Meditation
Essentials of Taijiquan Movement Art
Exercise - Diabetes Therapy - Taijiquan and Qigong
External and Internal Aspects of Chinese Martial Arts
Feedback, Kudos and Reviews for the Cloud Hand's Website
Fitness and Well Being Website
Five Animal Frolics (Wu Qin Xi): Tiger, Bear, Crane, Deer, and Monkey
Five Elements (Wu-Xing) and Taijiquan
Five Stepping Movements of Taijiquan
Five Elements (Air, Earth, Fire, Water, Metal)
Gardening: Quotes, Poems, History, Sayings
Gardening: Quips and Maxims by Michael P. Garofalo
The Four Gates: Grasping the Sparrow's Tail
Michael P. Garofalo's Biography
Michael P. Garofalo's T'ai Chi Ch'uan and Qigong Practice
Glossary of Taijiquan Terms in English and Chinese (Pinyin)
The Goddess - Quotations, Poems, Sayings, Prayers, Songs
Goose - Bird - Five Animal Frolics (Wu Qin Xi)
Green Men, Neo-Pagans, Druids, Shamans
Green Way Research Michael P. Garofalo, M.S.. Red Bluff, California.
Green Way Research - Taijiquan and Qigong
Green Wizard: Druids, Neo-Pagans, Witchcraft, Earth Religions
Gun Quan Short Staff, 50" Walking/Martial Staff,
Gu Shen (Valley Spirit) Taijiquan Instructional Program
Hatha Yoga Classes, Red Bluff, California, Instructor: Mike Garofalo
Health and Fitness - T'ai Chi Ch'uan
Hexagrams and Trigrams of the I Ching (Book of Changes)
Hidden Tiger, Beginning Program, Level 2, Valley Spirit T'ai Chi Ch'uan
High Blood Pressure Reduction and Practicing Taijiquan and Qigong
Hsing I Chuan Five Fists
I Ching (Book of Changes) and Taijiquan and Qigong
Index to the Cloud Hands Website
Indoor Cycling, Stationary Bicycling, Spinning
Instructional Program, Valley Spirit T'ai Chi Ch'uan
Internal and External Aspects of Chinese Martial Arts
Internal Martial Arts (Nei Jia Quan) Dictionary
Jian 32 Standard Sword Form - Yang Style
Jo Short Staff, 50" Walking Stick, Way of the Jo
Jo Do: Way of the Short Staff: Jo Do, Aikijo, Jojutsu, Gun Quan
Journal - Valley Spirit Journal by Michael P. Garofalo
Kudos for the Cloud Hands Website
Kundalini (Coiled Serpent) Energy
Kwang Ping Taijiquan of Kuo Lien Ying
Learning and Teaching Taijiquan, Qigong and Yoga
Lifestyle Advice for Wise Persons
Links and Bibliography: Qigong
Links and Bibliography: Taijiquan
Long Form 108 Yang Style Taijiquan
Making This Life Significant, Classics Series
Massage: Valley Spirit Center Red Bluff, California
Master Chang San-Feng (circa 1350)
Master Cheng Man-Ch'ing (1901 - 1975)
Master Kuo Lien Ying (1895-1984)
Master Sun Lu-Tang (1861-1932)
Master Yang Cheng-Fu (1883-1936)
Mastery, Self Control, Self Mastery, Choices, Will Power, Strength of Character
Medicine Balls, Taiji and Qigong Exercise Balls
Meditation Instructor: Michael P. Garofalo in Red Bluff, California
Meditation Methods and Techniques
Meditation - Standing Like A Tree
Meditation - Standing - General
Meditation - Wu Ji - The Edge of Emptiness
Michael P. Garofalo, M.S. - Brief Biography
Michael P. Garofalo - Internal Martial Arts Practice History
Michael P. Garofalo - T'ai Chi Ch'uan and Qigong Practice
Months of the Year: Quotes, Poems, Links
Mountain Biking in Northern California
Movement Direction Instructions for Taijiquan and Qigong Forms
Movement Principles of Tai Chi Chuan
Moving Hands Like Clouds: T'ai Chi Ch'uan and Qigong
Northern California Taijiquan and Qigong News in Cloud Hands Blog
Northern California T'ai Chi Ch'uan and Qigong Directory: Instructors, Schools, Information
Northwestern U.S. Tajiquan and Qigong News in Cloud Hands Blog
Notes and Comments on the Yang Style Taijiquan
Nei Jia Quan (Internal Martial Arts) Dictionary
Neo-Pagans, Druids, Green Men, Shamans
Nine Movement Temple Ch'i Kung Exercise Set
Older Persons Exercise and Wellness Programs
Oregon T'ai Chi Ch'uan and Qigong Directory: Instructors, Schools, Information
Original Waving Hands Like Clouds URL
Pa Kua Chang (Eight Trigrams Boxing)
Photography - Valley Spirit Photography Gallery
Pilates: Links, Bibliography, Resources, Quotes, Notes
Pole Weapons, Chen Style Taijiquan
Pranayama: Breathing Techniques from Yoga
Principles of T'ai Chi Ch'uan Movement Art
Private Instruction by Michael P. Garofalo, Instructional Programs
Pulling Onions: The Quips and Maxims of a Gardener
Qigong (GWRW)
Qigong (GDW)
Qigong Ball Exercises, Medicine Balls, Taiji Balls
Qigong: Bibliography and Links
Qigong: Bibliography and Links 2007
Qigong, Ch'i Kung - Chinese Mind-Body Exercises
Qigong and Yoga Classes, Red Bluff, California. Instructor: Mike Garofalo.
Qigong Instructor: Michael P. Garofalo in Red Bluff, California
Qigong Practice: Tips, Suggestions, Lessons
Questions and Answers in Cloud Hands Blog
Red Bluff, California, Qigong Classes
Red Bluff, California, Yoga Classes
Red Bluff, California: Valley Spirit Center
Red Bluff, California: Valley Spirit Taijiquan
Red Bluff, Valley Spirit Taijiquan Instructional Program
Reiki (Ushi Shiki Ryoho) - Karen Garofalo, Reiki Practitioner
Reiki: Valley Spirit Center Red Bluff, California
Resolve, Will. Willpower, Self Control, Self Discipline
Reviews of the Cloud Hand's Website
RSS Feed for the Cloud Hands Blog
RSS Feed for the Green Way Blog
Saber or Broadsword - Yang Style
Self Control, Self Mastery, Choices, Will Power
Send Email to Michael P. Garofalo
Senior Citizens Fitness Programs
Senior Fitness - Red Bluff, CA
Sensing Hands: Push Hands - T'ui Shou
73 Standard Competition Form, Sun Style Taijiquan
Shamans, Neo-Pagans, Druids, Green Men
Shambhala Warriorship: Tibetan Buddhism
Shoong, Sung, Song - Loose, Relaxed, Open, Yielding, Responsive
Short Form, Yang Style, Beijing Simplified 24
Short Staff Martial Arts: Jo Do, Aikijo, Jojutsu, Gun Quan
Silk Reeling, Chen Style Taijiquan
Simplified 24 From, Yang Style
Soaring Crane, Intermediate Program, Level 3, Valley Spirit T'ai Chi Ch'uan
Speaking to the Spirit Meditation
Spear Weapons, Chen Style Taijiquan
The Spirit of Gardening 3,300 quotations arranged by 135 topics.
Staff Weapons: Chen Style Taijiquan
Staff Weapons: Jo, Bo, Can, Staff, Spear
Standard Orthodox 32 Sword (Jian) Form - Yang Style Bibliography, Links, Quotes, Notes.
Standing Bear, Level 1 Ranking, Valley Spirit Taijiquan
Standing Like A Tree - Zhan Zhuang
Stork - Bird - Five Animal Frolics
Subject Index to the Cloud Hands Website
Sun Lu-Tang's (1861-1933) Chronology
Sun Lu-Tang's (1861-1933) Biography
Sun Lu-Tang (1861-1933): Baguaquan, Hsingyiquan, and Taijiquan Grandmaster
Sun Style Internal Martial Arts Glossary
Sun Style Taijiquan Online Videos
Sun Style Taijiquan, 73 Standard Competition Form
Swordsmanship and T'ai Chi Ch'uan
Sword 32 Standard Sword (Jian) Form - Yang Style
Sword 55 Yang Taiji Traditional
Tai Chi Ball Exercises, Qigong Balls, Medicine Balls, Exercise Balls
Tai Chi Chuan (GWR)
T'ai Chi Ch'uan: Bibliography and Links
T'ai Chi Ch'uan and Qigong Directory:
Instructors, Schools, Information, Workshops
Northern California,
Oregon, Washington, and British Columbia
T'ai Chi Ch'uan Instructor: Michael P. Garofalo in Red Bluff, California
Tai Chi Chuan Movement Principles
T'ai Chi Ch'uan, Red Bluff, CA
T'ai Chi Ch'uan Short Form, Beijing Simplified 24, Yang Style
T'ai Chi Ch'uan: Links and Bibliography
T'ai Chi Ch'uan: Valley Spirit Center Red Bluff, California
Taijiquan: Bibliography and Links
Taijiquan For Good Health, Fitness and Vitality
Taijiquan Instructor: Michael P. Garofalo in Red Bluff, California
Taijiquan - Princiles of Practice
Taijiquan: Valley Spirit Center Red Bluff, California
Taijiquan Yang Style Sword 55 Form
Taming the Ox - A Zen Allegory or Parable
Tantric Buddhism: Shambhala Warriorship, Yoga
Taoism, Nature Mysticism, Alchemy
Taoist and Eastern Classics, Making This Life Significant Series
Teaching and Learning Taijiquan, Qigong and Yoga
Tehama Family Fitness Center, Red Bluff, California
Temple Qigong - A Nine Movement Exercise Set
Thirteen Postures: 8 Gates and 5 Steps
32 Standard Sword (Jian) Form - Yang Style
The 300 Missing Poems of Han Shan
Tibetan Buddhism: Shambhala Warriorship, Yoga, Tantra
The Tiger: The Five Animal Frolics (Wu Qin Xi)
Tiger, Hidden Tiger, Beginning Program, Level 2, Valley Spirit T'ai Chi Ch'uan
Tips, Suggestions and Lessons for Qigong Practice
Tree Qigong - Zhan Zhuang - Standing Like A Tree
Trees - Quotations, Poems, Lore, Wisdom
Trees - Lore, Magick, Myths, Magick
Trigrams and Hexagrams of the I Ching (Book of Changes)
Twelve Animals of Chinese Yoga
Twelve Animals of Hsing I Chuan (Xing I Quan)
Valley Spirit Center Michael P. Garofalo, M.S.. Red Bluff, California
Valley Spirit Fitness and Well Being Website
Valley Spirit Journal by Michael P. Garofalo (May 2003-July 2005)
Valley Spirit Journal by Michael P. Garofalo (August 2005- )
Valley Spirit Photography Gallery - Old
Valley Spirit Photography Gallery - New - Coppermine
Valley Spirit T'ai Chi Ch'uan Club
Valley Spirit Taijiquan, Red Bluff, California
Valley Spirit Taijiquan Instructional Program
Valley Spirit - Green Way Blog
Valley Spirit Taijiquan and Qigong Journal (5/2003-7/2005) by Michael P. Garofalo
Valley Spirit Taijiquan and Qigong Journal (8/2005-) by Michael P. Garofalo
Valley Spirit T'ai Chi Ch'uan, Qigong, and Yoga
Vancouver, B.C., T'ai Chi Ch'uan and Qigong Directory: Instructors, Schools
Walking - Eight Ways of Walking Qigong
Walking - General Fitness Exercise
Walking: Valley Spirit Center Red Bluff, California
War Powers Authorization by Public Vote - 28th Amendment Proposal
Washington T'ai Chi Ch'uan and Qigong Directory: Instructors, Schools, Information
Waving Hands Like Clouds: T'ai Chi Ch'uan and Qigong
Way of the Short Staff: Jo Do, Aikijo, Jojutsu, Gun Quan
Will Power, Self Control, Self Mastery, Choices, Strength of Character
Wudang Mountain - Taoism, Taijiquan and Qigong
Xing Yi Quan Five Fists
Xing I Quan (Hsing I Chuan) - Twelve Animals
Yoga Class, TFFC, Red Bluff, CA
Yang Family Taijiquan Genealogy
Yang Style Push Hands and Da Lu
Yang Style 55 Movement Taiji Sword
Yang Style Traditional Taijiquan Long Form 108 Movements
Yang Style Taijiquan - Notes and Comments
Yang Style Taijiquan Short Form 24 Movements
Yang Style Taijiquan Sword (Jian) 55 Movements
Yin-Yang Sensitivity Training: Sticking Hands - T'ui Shou
Yoga Class, Red Bluff, CA - Instructor: Michael P. Garofalo
Yoga and Qigong Classes, Red Bluff, California. Instructor: Mike Garofalo.
Yogalates: Links, Bibliography, Resources, Quotes, Notes
Zhan Zhuang - Standing Like A Tree
Zen Poems: "Above the Fog" by Mike Garofalo
Zen
Poetry: Bibliography, Links, Quotations, Resources
Valley Spirit Center - Red Bluff, California
Red Bluff, Tehama County, North Sacramento Valley, Northern California, U.S.A.
Cities and small towns in the area: Oroville, Paradise, Durham, Chico, Hamilton City,
Corning, Rancho Tehama, Los Molinos, Vina, Tehama, Proberta, Gerber,
Manton,
Cottonwood, Olinda, Cloverdale, Dairyville, Bend, Centerville, Summit City
Anderson, Shasta Lake, Palo Cedro, Igo, Ono, Redding, Shasta, Colusa, Willows,
Richfield, Fall River, Montgomery Creek, Alturas, McCloud, Dunsmuir, Yreka, Happy Camp,
Shingletown, Burney, Mt. Shasta City, Weaverville, Williams, Chester, Orland,
Susanville, Weed, Gridley, Marysville, Yuba City, NorCalifia, CA, California.
March 29, 2008
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