Sword - T'ai Chi Ch'uan, 32 Simplified Standard Sword Form, Yang Style, Taijiquan Jian: Bibliography, Links, Instructions, Lists of Movements, Resources, Media, Comparisons

March 29, 2008
© Michael P. Garofalo, Valley Spirit Taijiquan, Green Way Research,
Red Bluff, California

Disclaimer

Warning: Practicing with Sword Weapons Can Be a Dangerous Activity for Adults

Bibliography, Links, Resources
T'ai Chi Ch'uan Standardized (Orthodox) Simplified 32 Movements Sword (Jian) Form

The Art of Chinese Swordmanship: The Manual of Taiji Jian. By Yun Zhang. New York, Weatherhill, 1998. 287 pages. ISBN: 0834804123. Sifu Yun
Xhang was a student of Grandmaster Wang Peisheng (Ying Cheng). A 32 movement Wu short Jian form, by Wang Peisheng is taught. VSCL. This is an good book on Taijiquan Jian!

Chinese Swordsmanship: The Yang Family Taiji Jian Traditions. By Scott M. Rodell. Annandale, Virginia, Seven Stars Books and Video, 2003. 304 pages. Introduction, sword traditions, history, safety, Yang classical form and Michuan Taiji fighting system. Review ISBN: 0974399906. The Michuan Jian form is meticulously described and photographed and applications shown on pages 73-184, and the Public Yang Jian is likewise described on pages 185-257. Applications and swordplay with partners are covered. The basic Jian cuts are explained on pages 41-64. Scott Rodell online. It is sometimes difficult to see the details in the small black and white photographs. The movements are unnumbered. VSCL.

Classical Tai Chi Sword. By Petra Kobayashi, Toyo Kobayashi, and Chiang Tao Chi. Charles E. Tuttle, 2003. 176 pages. ISBN: 0804834482. Useful explanation of the 53 movement Yang style sword form. Clear photographs with directional/movement arrows for each of the 53 movements. Good detailed descriptions for each movement. VSCL.

”Classical Tai Chi Chuan Sword, Taijiquan Jian 55 in the Yang Style: Comparison of Names or Descriptions for the 55 Movements.” Green Way Research, Red Bluff, California, January 2008. By Michael P. Garofalo. This document includes a detailed listing of the names or brief descriptions of the 55 movements of the Classical Taijiquan Straight Sword Form in the Yang Style of Taijiquan. This document includes names or brief descriptions for each movement in English, Romanized Chinese (Pinyin and/or Wade Giles), Chinese characters, Spanish, French, and German. The document includes source citations and a bibliography. In PDF format, print only, 267Kb, 34 pages:
Webpage: http://www.egreenway.com/taichichuan/Classical Taijiquan Yang Sword Form 55 List Detailed.pdf

Li Deyin 32 Taiji Jian. 2 DVDs. "Taiji Sword is one of short weaponry routines of tai chi boxing integrated with tai chi boxing and swordplay techniques. 32-form taiji sword was adapted from Yang-Style Tai Chi Sword by Chinese martial arts master Li Tianji. The set of routines is dissected in 2 sections, 2 returns and 32 movements. The 32-form taiji sword was supported by the National Physical Education Committee." CGC Mall

Line drawings (black and white illustrations) of all the movements in the standard 32 sword form.

Orthodox Taiji Sword. Instructional VHS videotape. Presented by Madam Wang Ji Yung. 108 minutes. Step by step teaching of the 32 Form sword set. Produced by Vecom Development Co.. Includes a 26 page instructional booklet titled "The Orthodox Chinese Tai Ji Sword." Versions in Mandarin, Cantonese, Japanese and English. Madame Wang is the Vice Chairman of the Chinese Wushu Association, and Professor at the Shanghai Wushu Investigation Laboratory. Distributed by Wayfarer. Chinese Health Video-Cassettes, # 502. No year of publication given. VSCL.

Simplified Tai Chi Sword Form 32. Instructional DVD or videocassette. 60 minutes. Instruction by Master Jesse Tsao, from San Diego, CA. Tai Chi Healthways. Video online version. No date of publication provided. The 32 sword form is taught in 8 lessons. Demonstrations of the entire form from front and back views. Each lesson consists of: a) demonstration of 3 or 4 movements with English subtitles, b) clear, slow, and detailed instructions in English of each component of each movement with multiple demonstrations, and c) continuous demonstration of all movements in the lesson in normal speed with front and side views. Very nice park setting in the background. For each lesson, the sound is clear, with ample volume, and the English is quite understandable. Chinese music is in the background during the continuous demonstrations. My three favorite instructional DVDs or VHS videotapes for the 32 sword form are by Paul Lam, Jesse Tsao, and Jiang Jian-ye. VSCL.

Simplified Tai Chi Sword 32 Form. Instructional DVD. By Master Guangzhi Xing. Includes 24 Short Form, Yang Style, instruction. Tai Chi for Life. Turtle Press. VSCL.

Simplified 32 Taiji Sword in the Yang Style. By Michael P. Garofalo. This popular webpage includes a comprehensive bibliography, scores of links to webpages, an extensive listing of the names and name variations for each movement (English and Chinese), a detailed analysis of each posture and movement sequence with explanations and numbered illustrations, instructions, selected quotations, sword techniques, a comprehensive media bibliography, and a comparison of the 32 and 55 sword forms in the Yang style. © Green Way Research, Red Bluff, California, January 2008.

Sun Style of T'ai Chi Ch'uan: Standard Competition 73 Movements Form. Research by Michael P. Garofalo, M.S.. Webpage: 450Kb, June 2008. This webpage includes an introduction, information on the history of the Sun Taijiquan forms, a detailed bibliography, extensive links, references to video resources, a large collections of quotations about Sun Taijiquan, recommendations on the best media resources on the topic, and suggestions for learning the 73 competition Sun Taijiquan form. A detailed comparative list of the names of each of the 73 movements is provided, with source references, and the movement names are given in English, Chinese, Chinese characters, French, German, and Spanish. This webpage includes detailed descriptions of each of the 73 movements with black and white illustrations for each movement sequence along with commentary and comparisons. Many additional nomenclature lists and section study charts in the PDF format, photographs and graphics are also provided - over 1.3 MB of information. This webpage is the most detailed and complete document on the subject of the Sun Taijiquan Competition 73 Form available on the Internet. This document was published by Green Way Research, Valley Spirit Taijiquan, Red Bluff, California, 2008. URL: http://www.egreenway.com/taichichuan/sun73.htm.

Tai Chi Sword. By Michael P. Garofalo. This popular webpage includes a comprehensive bibliography, scores of links to webpages; an extensive listing of the names and name variations for each movement in English, Chinese, French, German, and Spanish; a detailed analysis of each posture and movement sequence with explanations and numbered illustrations and detailed instructions; selected quotations; comments on 20 Taijiquan sword techniques; a comprehensive media bibliography; a chart of performance times; and, a comparison of the 32 and 55 sword forms in the Yang style. This is the standard, simplified, orthodox, 1957, 32 Taiji Sword Form, in the Yang Style of Taijiquan. This is the standard, simplified, orthodox, 1957, 32 Taiji Sword Form, in the Yang Style of Taijiquan. © Michael P. Garofalo, Valley Spirit Taijiquan, Green Way Research, Red Bluff, California, January 2008. 245Kb+.

Tai Chi Sword. Instructional DVD. Master Tang Lai Wei. Includes applications of 32 sword form.

Tai Chi Sword. Instructional videotape. Presentation by Master Liang, Shou-Yu. Directed by Wu, Wen-Ching. 1999. VHS. ISBN: 1889659053. 60 minutes. Multiple demonstrations of each movement section of the 32 Form taiji sword routine. Wayfarer.

Tai Chi Sword. A detailed analysis of the official Tai Chi Sword form. Clear instruction is also provided in basic double-edged sword techniques. An introduction to two person sword fencing is included. Poster and instructional DVD. Master Mark. CWRI Tai Chi Arts Association.

Tai Chi Sword: The 32 Simplified Forms. By Guangqi, Li; Chen, Zhao PhD; and Don G. Shao (Compiler). Agilceed Books, England, 2006. 176 pages. ISBN: 0976118327. Simple and clear line drawings. Large but mediocre quality photos. Large print style of text. Fairly clear, but brief explanations of each movement sequence. Questions and answers. References. List of movement names: literal, figurative, and in Chinese. Brief commentary on Tai Chi swordplay. As far as I know now, the only book in print on the subject in English. Available from Amazon. VSCL.

Tai Chi: The 32 Sword Forms. Instructional VHS videotape. Presentation by Dr. Paul Lam. ASIN: B00005U59Y. 95 minutes. Step by step teaching, slow and normal speeds, multiple views. Includes demonstration of the 48 Form set. East Action Video, Narwee, Australia, 1996. The teaching is done indoors in a nice studio with excellent lighting. Dr. Lam has his students slowly demonstrate the movements as he describes in detail how the movements are to be done. Then Dr. Lam demonstrates the movement slowly from a front view. Then the student demonstrates the movement from both front, side and back views at normal speed. All instruction is in English, with good clear audio, ample volume, and very understandable. The 32 sword form is demonstrated by Dr. Lam with front and back views. My three favorite instructional DVDs or VHS videotapes for the 32 sword form are by Paul Lam, Jesse Tsao, and Jiang Jian-ye. VSCL.

Taiji Sword and Other Writings . By Chen, Wei-Ming. Translated by Barbara Davis. Berkeley, California, North Atlantic Books, 2000. Bibliography, 93 pages. ISBN: 1556433336. On pages 71-72 is a list of the Taiji Sword postures, 55 movements, from Chen Wei Ming with numbering provided by Barbara Davis.

Taiji Sword, Classical Yang Style: The Complete Form, Qigong and Applications. By Yang, Jwing-Ming. Edited by James C. O'Leary. Boston, Mass., YMAA Publications, 1999. Index, glossary, list of form postures, 205 pages. ISBN: 1886969744. VSCL. The standard 53 Yang sword form.

Taiji Sword, Classical Yang Style: The Complete Form, Qigong and Applications. Instructional VHS videotape. Presented by Yang, Jwing-Ming. YMAA Publications, 1999. 82 minutes. ISBN: 1886969817. The standard 53 Yang sword form.

13 Taijijian Techniques (13 Tai Chi Sword Techniques). Research by Michael P. Garofalo. Valley Spirit Taijiquan, Green Way Research, Red Bluff, California, 2008. 1. Ji 击 Strike, hit, break attack, beat, stroke. 2. Ci 刺 Trust, pierce, sting, prick, stab. Ge 割 Cut off, Divide, Block Off, Sever, Quarter, Obstruct, Scroll, Blocking. 4. Xi 洗 Brush Off, Sweep Away, Wash Off, Clean Off. 5. Chou 抽 Pull Out, Cut Out, Extract. 6. Dai 带 Carry, Leading, Deflecting, Slicing, Lead, Carrying. 7. Ti 提 Upwards Stroke, Lifting Up, Lift, To Carry Up. 8. Dian 点 Point, Dot, Spot, Poke. 9. Peng 迸 Burst Forth, Split Open, Tipping, Gush Out, Burst, Wardoff. 10. Pi 劈 Split, Hack, Chop, Split Open, Chopping, Cut Apart, Split, Splitting. 11. Jie 截 Cut Off, Stop, Obstruct, Cutting, Intercept. 12. Jiao 搅 Stir, Stirring, Mix, Disturb, Agitate. 13. Ya 搅 Press, Pressing, Press Down, Push Down, Crush, Pressure.

32 Step Tai Chi Sword. Tai Chi Place. 3 different listings of the names for the 32 form. This webpage includes an earlier version of the list which I prepared for this webpage.

32 Step Tai Chi Sword. By Jiang Jian-ye. Instructional VHS videotape. Step by step teaching and demonstrations. 90 minutes. Jiang's Tai Chi Videos. My three favorite instructional DVDs or VHS videotapes for the 32 swrod form are by Paul Lam, Jesse Tsao, and Jiang Jian-ye. VSCL.

32 Step Taiji Sword Form. Demonstrated by Chen Sitan. 3:00 minutes. Includes names in English and Chinese, and numbering. UTube Video.

32 Sword Form, Simplified, Yang Style, Taijiquan Jian. By Michael P. Garofalo. This popular webpage includes a comprehensive bibliography, scores of links to webpages; an extensive listing of the names and name variations for each movement in English, Chinese, French, German, and Spanish; a detailed analysis of each posture and movement sequence with explanations and numbered illustrations and detailed instructions; selected quotations; comments on 20 Taijiquan sword techniques; a comprehensive media bibliography; a chart of performance times; and, a comparison of the 32 and 55 sword forms in the Yang style. This is the standard, simplified, orthodox, 1957, 32 Taiji Sword Form, in the Yang Style of T'ai Chi Ch'uan. © Michael P. Garofalo, Valley Spirit Taijiquan, Green Way Research, Red Bluff, California, January 2008. 245Kb+.

32 Step Taiji Sword Form. Demonstrated by Chen Sitan. 3:00 minutes. Includes names and numbering. UTube Video.

32 Sword Form. Demonstrated by Taiji sword master Xue An Ri. 3:45 minutes. UTube Video.

32 Sword Form, Simplified, T'ai Chi Ch'uan, Yang Style. By Michael P. Garofalo. This popular webpage includes a comprehensive bibliography, scores of links to webpages; an extensive listing of the names and name variations for each movement in English, Chinese, French, German, and Spanish; a detailed analysis of each posture and movement sequence with explanations and numbered illustrations and detailed instructions; selected quotations; comments on 20 Taijiquan sword techniques; a comprehensive media bibliography; a chart of performance times; and, a comparison of the 32 and 55 sword forms in the Yang style. © Michael P. Garofalo, Valley Spirit Taijiquan, Green Way Research, Red Bluff, California, January 2008. 245Kb+.

On Guard Position, Beginning Stance, Standing in Readiness, Preparation,
Starting Form, Opening Posture, 預備式:

Right Bow Stance, Cross Step and Open Arms, Place Feet Together and Point Sword Down
Three Rings Around the Moon: Brush Knee, Immortal Points the Way, Dragonfly Touches the Water
Dragonfly Dips Water
Point Sword with Feet Together
Circling the Moon Three Times
Stand with Feet Together and Point
Three Rings Around the Moon [PL]
Dragonfly Touching Water [JT]
Point Sword with Closing Steps [GLCZ]
Three Rings Around the Moon [MG1]
Three Rings Circle the Moon [MPG 2]
San Huan Tao Yue (Ch.)
Trois Anneaux Entourent la Lune (Fr.)
Drei Ringe Kreisen den Mond (Gr.)
Tres Anillos Circundan la Luna (Sp.)
三環套月 : Three Rings Circle the Moon

Standing on Right Leg, Thrusting the Sword
Thrust Backward Independently
Big Dipper Constellation
The Evil Deity Standing on One Leg
Stand on One Leg and Thrust
One-Leg Stance, Circle and Chop Down|
Standing on One Leg to Thrust [PL]
Big Dipper [JT]
Opposite Pierce with One-Leg Stand [GLCZ]
The Big Dipper [MG1, MG2]
Da Kui Xing, Kui Xing Shi (Ch.)
La Constellation De Grand Huit (Fr.)
Die Wagen-Konstellation (Gr.)
La Constelación Del Cucharón Grande (Sp.)
大魁星 : Big Chief Star
魁星势 : Big Dipper
Symbolism and Lore about the Big Dipper Posture

Cut Down Right, Crouch Down, Sweep Sword from Low Right to High Left, Step into Right Bow Stance
Sweep the Sword with Falling Step
Swallow Skims Over the Pond
Sweep Sword in Crouch
Crouch Stance and Sweep to the Side
Swallow Flying Over the Water
Swallow Skimming Across the Water [PL]
Swallow Skimming Across Water [JT]
Crouch Down and Sweep Sword [GLCZ]
The Sallow Skims Across the Water [MG1, MG2]
Yan Zi Chao Shui (Ch.)
L'hirondelle Écrème à Travers L'eau (Fr.)
Die Schwalbe Gleitet über dem Wasser (Gr.)
El Trago Desnata a Través del Agua (Sp.)
燕子抄水 : The Swallow Dips Its Beak in the Water

Slice Horizontally Right, Intercept and Block Sword to the Right Side, Left Bow Stance
Looking for a Snake in the Grass to the Right Side
Sweep to the Right
Right Block and Sweep
Swallow Moving Right
Obstruct and Sweep Right
Carry Sword to the Right
Level Bringing to the Right
Detain and Come Forward Right
Horizontal Draw to the Right
Carrying Sword to the Right [PL, JT]
Right Slice with Bow Stance [GLCZ]
Block and Sweep to the Right [MG1, MG2]
You Lan Sao (Ch.)
Bloc et Champ vers la Droite (Fr.)
Lenken Sie ab und Schleife Rechts (Gr.)
Bloque y Barrido a la Derecha (Sp.)
右边拦扫 : Block and Sweep, Right
右边拦扫 : Block and Sweep, Right, You Bian Lan Sao
左右攔掃 : Left Sweep and Right Sweep
Techniques: Dai (Deflecting), Xi (Catching), and Chou (Cutting)

Slice Horizontally Left, Intercept and Block Sword to the Left Side, Right Bow Stance
Looking for a Snake in the Grass to the Left
Sweep to the Left
Left Block and Sweep
Swallow Moving Left
Obstruct and Sweep Left
Carry Sword to the Left
Level Bringing to the Left
Detain and Come Forward Left
Horizontal Draw to the Left
Carrying Sword to the Left [PL, JT]
Left Slice with Bow Stance [GLCZ]
Block and Sweep to the Left [MG1, MG2]
Zou Lan Sao (Ch.)
Bloc et Champ vers la Gauche (Fr.)
Lenken Sie ab und Schleife Nach Links (Gr.)
Bloque y Barrido a la Izquierda (Sp.)
左右攔掃 : Left Sweep and Right Sweep
左边拦扫 : Block and Sweep, Left
Techniques: Dai (Deflecting), Xi (Catching), and Chou (Cutting)

Stand on Right Leg, Left Knee Up, Chop Down with Sword, Point Sword Down
The Little Dipper
Little Chief Star
Split Independently
Single Leg Stance Reaching into the Sea
Stand on One Leg and Cut with Arm Swing
One-Leg Stance, Circle, and Chop Down
Sounding the Sea [PL]
Searching the Sea [JT]
Wheel Chop Sword with One-leg Stand [GLCZ]
Searching the Sea [MG1]
The Little Star of the Big Dipper [MG2]
Xiao Kui Xing (Ch.)
Le Peu Tiennent le Premier Rôle de la Constellation de Grand Huit (Fr.)
Der Kleine Stern der Wagen-Konstellation (Gr.)
La Pequeña Estrella de la Constelación del Cucharón Grande (Sp.)
小魁星 : Little Star of Dipper
夜叉探海
Techniques: Ya (Pressing or Pushing Down), and Chou (Cutting Upward)

Drawing Sword to Left Hip, Turn Body to Side, Left Leg Empty Stance
Draw Back with T Step
Pull Back Sword with T-Stance
Sword Withdraws and Feet Retire
Withdraw Sword in T-Step
T-Stance and Pull Back
Step Back and Withdraw Sword
Embrace the Moon
Holding the Moon with the Arms
Withdrawing Sword in Empty Stance [PL]
Embracing the Moon [JT]
Step Back and Pull Sword [GLCZ]
Holding the Moon [MG1]
Holding the Moon in the Arms [MG2]
Huai Zhong Bao Yue (Ch.)
Tenir la Lune dans les Bras (Fr.)
Umklammern des Mondes zum Busen (Gr.)
Sostener la Luna en Los Brazos (Sp.)
懷中抱月 : Clasp the Moon to the Bosom

Stand on Right Leg, Left Knee Up, Thrust Sword Forward and Up with Two Hands
Sleepy Birds Returning to the Forest
The Birds Return to the Forest Trees at Dusk
Split Upward Independently
Evening Birds Returning to the Forest
Stand On One Leg and Thrust
One-Leg Stance and Stab Up
Birds Returning to the Tree at Dusk [PL,JT]
Upward Pierce Sword with One-Leg Stand [GLCZ]
The Bird Returns to the Tree at Dusk [MG1]
The Bird Flies Into the Forest [MG2]
Su Niao Tou Lin (Ch.)
L'oiseau Vole dans la Forêt (Fr.)
Der Vogel Fliegt in den Wald (Gr.)
El Pájaro Vuela en el Bosque (Sp.)
宿鳥投林 : Sleepy Birds Return to Forest
宿鸟投林 : Birds Lodging in the Forest

Draw Sword Back and Up to Left, Sweep Downward/Horizontally to Right, Right Leg Empty Stance
Dragon Sweeping Tail
Sever Downward with Empty Step
Black Dragon Swings His Tail
Plunge Sword Downward in Empty Stance
Empty Stance and Intercept Downward
Dragon Sweeping Tail [PL,JT]
Empty Stance and Slice Downward [GLCZ]
The Black Dragon Whips His Tail [MG1, MG2]
Su Niao Tou Lin (Ch.)
Le Dragon Noir Fouette Sa Queue (Fr.)
Der Schwarze Drache Peitscht Sein Endstück (Gr.)
El Dragón Negro Azota Su Cola (Sp.)
烏龍擺尾 : Black Dragon Whips Its Tail
乌龙摆尾 : Black Dragon Swings Tail

Stab Forward, Step Back to Right Side, Stab Forward, Step to Left Leg Bow Stance
Blue Dragon Out of Water
Split with Left Bow Step
Green Dragon Emerges from the Water
Green Dragon Coming Out of the Water
Thrust in Left Bow Stance
Left Bow Stance and Stab
Green Dragon Emerging from Water [PL, JT]
Pierce with Left Bow Stance [GLCZ]
The Green Dragon Emerges from the Water [MG1, MG2]
Qing Long Chu Shui (Ch.)
Le Dragon Vert Émerge de L'eau (Fr.)
El Dragón Verde Emerge del Agua (Sp.)
Der Grüne Drache Taucht vom Wasser Auf (Gr.)
青龙出水 : Green Dragon Comes Out of the Water
青龍出水 : Green Dragon Emerges from the Water
绿色龙从水出来

Turn the Body Clockwise, Bring Sword Diagonally and Slice, Right Leg Bow Stance
Wind Curls Up Lotus Leaves
The Wind Blowing the Lotus Leaves
Turn the Body and Draw on a Slant
Lotus Swirls Around in the Wing
Turning Round and Carrying Sword [PL]
Wing Curling the Lotus Leaves [JT]
Pull-back Turn and Skew Slice Sword [GLCZ]
Turning Round and Carrying Sword [MG1]
The Wind Blows the Lotus Leaves [MG2]
Feng Juan He Ye (Ch.)
Le Vent Souffle les Feuilles de Lotus (Fr.)
Der Wind Brennt die Lotos-Blätter Durch (Gr.)
El Viento Sopla las Hojas del Loto (Sp.)
風捲荷葉 : Wind Blows the Lotus Leaf
风卷荷叶 : Lotus Swirls Around in the Wind

Stab Diagonal Right, Shrink Back, Step into Right Leg Empty Stance, Stab Horizontal with Two Hands
Bring Diagonally, Shrinking
Retreat and Carry the Sword
The Lion Shakes Its Head
The Lion Shakes His Mane
Lion Nods Head
Contract the Body and Draw on a Diagonal
Stepping Back and Carrying Sword [PL]
Lion Turning Head [JT]
Contract Body and Skew Slice Sword   [GLCZ]
The Lion Shakes His Mane [MG1, MG2]
Feng Juan He Ye, Zhi Zi Yao Tou (Ch.)
Le Lion Secoue Sa Tête (Fr.)
Der Löwe Rüttelt Seinen Kopf (Gr.)
El León Sacudare Su Cabeza (Sp.)
夜叉探海 : Lion Shakes Its Head
狮子摇头 : Lion Shakes Its Head

Step Back and Open Arms, Stand on Left Leg, Stab Forward with Two Hands
Sword Taken Up and Knees Lifted
Tiger Holds Its Head
Holding the Tiger's Head
Lift Knee and Hold Sword with Both Hands
Tiger Holds Its Head Between Its Paws
Raise the Knee and Hold the Sword
Tiger Holding Head [PL, JT]
Raise Knee and Hold Sword [GLCZ]
The Tigress Holds Her Head [MG1, MG2]
Hu Bao Tou (Ch.)
Le Tigress Tient Sa Tête (Fr.)
Das Tigress Hält Ihren Kopf (Gr.)
El Tigress Lleva a Cabo Su Cabeza (Sp.)
虎抱頭 : Tiger Holds Its Head

Level Stab, Jumping
Wild Horse Jumps Over the Creek
Hop and Thrust
Wild Horse Jumps the Mountain Stream
Jump Step and Stab with Flat Sword
Mustang Jumps the Ravine
Wild Horse Leaping Over Creek [PL, JT]
Jump and Flat Pierce Forward [GLCZ]
The Wild Horse Leaps Over the Creek [MG1]
The Wild Horse Jumps Over the Creek MG2]
Ye Ma Tiao Jian (Ch.)
Le Cheval Sauvage Saute par-dessus la Crique (Fr.)
Das Wilde Pferd Springt über den Nebenfluß (Gr.)
El Caballo Salvaje Salta Sobre el Cala (Sp.)
野馬跳澗 : The Wild Horse Jumps the Stream
野马跳涧 : Mustang Jumps the Ravine

Circle Sword Counterclockwise to Left, Cut Upward, Left Leg Empty Stance
Hold Up with Left Empty Step
The Little Dipper Constellation
Wheel Chop to Left Empty Stance
The Little Evil Deity Standing on One Leg
Empty Stance and Slice Upward
Cutting Upward in Empty Stance [PL]
Little Dipper [JT]
Swing Sword with Left Empty Bow Stance [GLCZ]
Cutting Upward in a Left Empty Stance [MG1]
The Little Star of the Big Dipper [MG2]
Xiao Kui Xing (Ch.)
Le Peu Tiennent le Premier Rôle de la Constellation de Grand Huit (Fr.)
Der Kleine Stern der Wagen-Konstellation (Gr.)
La Pequeña Estrella de la Constelación del Cucharón Grande (Sp.)
小魁星 : Little Star of Dipper
夜叉探海

Draw Sword Right and Down, Swing Sword from Below to Slice Upward, Step Into Right Bow Stance
Hold Up with Right Bow Step
Fishing the Moon Out from the Bottom of the Sea
Swing Up Sword in Right Bow Stance
Scoop the Sea Bottom for the Moon
Pick Up the Moon from the Sea Bottom
Right Bow Stance and Slice Upward
Scooping the Moon from Sea Bottom [PL]
Scooping the Moon from the Sea Bottom [JT]
Swing Sword with Right Bow Stance [GLCZ]
Scooping the Moon from the Bottom of the Sea [MG1]
Scoop Up the Moon from the Bottom of the Sea [MG2]
Hai Di Lao Yue (Ch.)
Godet vers le Haut de la Lune du Fond de la Mer (Fr.)
Schaufel Herauf den Mond von der Unterseite des Meeres (Gr.)
Cucharada Encima de la Luna del Fondo del Mar (Sp.)
海底撈月 : Pick Up the Moon from the Sea Bottom

Rhinoceros Gazes at the Moon, Turn and Chop Down, Shoot the Wild Goose
Withdraw Sword Rotating Body
Turn Around and Withdraw Sword
Shooting at the Wild Geese
Turn the Body and Pull Back
Rhinoceros Gazing at the Moon [PL,JT]
Turn and Pull Sword Back [GLCZ]
The Rhinoceros Gazes at the Moon [MG1, MG2]
Xi Niu Wang Yue (Ch.)
Le Rhinocéros Regarde Fixement la Lune (Fr.)
Der Rhinoceros Starrt den Mond (Gr.)
El Rhinoceros Mira en la Luna (Sp.)
犀牛望月: The Rhinoceros Looks at the Moon
預備式 : Shooting at Wild Geese
射雁势 : Shooting the Wild Goose, She Yan Shi

Turn, Bring Feet Together, Squat, Stand Up, Stab Upward with Two Hands
Level Stab and Gathering Feet
Thrust with Feet Together
White Monkey Presents Fruit
Stand Upright with Feet Together and Stab with Flat Sword
White Ape Offering Fruit   [PL,JT]
Close Steps and Flat Pierce [GLCZ]
The White Ape Offers the Fruit [MG1, MG2]
Bai Yuan Xian Guo (Ch.)
La Singe Blanche Offre le Fruit (Fr.)
Der Weiße Affe Bietet die Frucht (Gr.)
El Mono Blanco Ofrece la Fruta (Sp.)
猿献果 : White Ape Presents the Fruit
白色猴子提供果子

Cut to Right, Squat on Right Leg, Swing Slice Sword Right to Left, Left Bow Stance
Dusting in the Wind, Left
Block with Left Bow Step
Left Bow Stance and Block
Parrying in Left Bow Stance [PL]
Whisking Dust from the Wind - Left [JT]
Obstruct Sword with Left Bow Stance [GLCZ]
Parrying in Left Bow Stance [MG1]
Shaking the Duster in the Wind [MG2]
Ying Feng Fu Chen, Zuo Ying Feng Dan Chen (Ch.)
Secousse du Chiffon dans le Vent (Fr.)
Rütteln des Staubtuchs im Wind (Gr.)
Sacudarir el Plumero en el Viento (Sp.)
震动喷粉器在风
迎風撣塵左 : Dusting in the Wind, Left
迎风掸尘左 : Dusting in the Wind, Left
迎風撣塵左 : Dusting in the Wind, Left

Swing Slice Sword Left to Right, Right Bow Stance
Block with Right Bow Step
Dusting the Wind, Right
Right Bow Stance and Block
Parrying in Right Bow Stance [PL]
Whisking Dust from the Wind - Right [JT]
Obstruct Sword with Right Bow Stance [GLCZ]
Parrying in Right Bow Stance [MG1]
Shaking the Duster in the Wind [MG2]
Ying Feng Fu Chen (Ch.)
Secousse du Chiffon dans le Vent (Fr.)
Rütteln des Staubtuchs im Wind (Gr.)
Sacudarir el Plumero en el Viento (Sp.)
震动喷粉器在风
迎風撣塵右 : Dusting in the Wind, Right
迎风掸尘右 : Dusting in the Wind, Right
迎風撣塵右 : Dusting in the Wind, Right

Swing Slice Sword from Right to Left, Left Bow Stance
Block with Left Bow Step
Dusting the Wind Left
Left Bow Stance and Block
Parrying in Left Bow Stance [PL]
Whisking Dust from the Wind - Left [JT]
Obstruct Sword with Left Bow Stance [GLCZ]
Parrying in Left Bow Stance [MG1]
Shaking the Duster in the Wind [MG2]
Ying Feng Fu Chen (Ch.)
Secousse du Chiffon dans le Vent (Fr.)
Rütteln des Staubtuchs im Wind (Gr.)
Sacudarir el Plumero en el Viento (Sp.)
震动喷粉器在风
迎風撣塵左 : Dusting in the Wind, Left
迎风掸尘左 : Dusting in the Wind, Left

Cross Step and Immortal Points the Way; Step Forward into Left Bow Stance, Stab Downward
Stepping Forward and Piercing Back
Step Forward and Plunge Backward
Twist, Advance, and Thrust Forward
Step In and Stab Backhand
Pushing the Boat Into the Current
Push Boat with the Current
Stepping Forward and Pushing Back [PL]
Pushing the Boat with River Current [JT]
Step Forward and Opposite Pierce [GLCZ]
Pushing the Boat with the Current [MG1]
Push the Boat with the Current [MG2]
Shun Shui Tui Zhou (Ch.)
Poussez le Bateau avec le Courant (Fr.)
Drücken Sie das Boot mit dem Strom (Gr.)
Empuje el Barco con la Corriente (Sp.)
順水推舟: Push Boat with Current

Turn Body, Chop Down, Right Bow Stance
Turn Body and Split Back
Turn Around to Cut
Reverse Body and Chop Behind
Shooting Stars Chase the Moon [Meteor Runs After Moon]
The Flying Star Chasing the Moon
Comet Chasing the Moon [PL, JT]
Reposition and Chop Back [GLCZ]
The Comet Chases the Moon [MG1]
The Comet Flies by the Moon [MG2]
Liu Xing Gan Yue (Ch.: Chinese)
La Comète Vole par la Lune (Fr.: French)
Der Komet Fliegt durch den Mond (Gr.: German)
La Estrella que Tira Persigue la Luna (Sp.: Spanish)
流星趕月 : Shooting Stars Chase the Moon
彗星飞行由月亮 : Comet Flies by the Moon

Cut Down with Sword, Step to Left Empty Stance, Point Sword Downward
Point Sword with Empty Step
Point Sword in Right Empty Stance
Empty Stance and Point the Sword
The Bird Flies Over the Waterfall
Heavenly Horse Galloping Across the Sky
Heavenly Steed Soars Across the Sky
Flying the Horse in the Sky
Heavenly Horse Flying Across the Sky [PL]
Pegasus Flying Across the Sky [JT]
Point Sword with Empty Stance [GLCZ]
Heavenly Horse Gallops Across the Sky [MG1, MG2]
Tian Ma Xing Kong (Ch.)
Le Cheval Merveilleux Galope à Travers le Ciel (Fr.)
Das Himmlische Pferd Galoppiert über den Himmel (Gr.)
Los Galopes Divinos del Caballo a Través del Cielo (Sp.)
飛馬行空 : Heavenly Horse Gallops Across the Sky
天马飞瀑 : Heavenly Steed Flies Over the Waterfall
鸟飞行在瀑布 : The Bird Flies Over the Waterfall

Step of Cross Step Stance, Circle Sword Down and Up Clockwise, Stand on Right Leg and Lift Sword
Independent Level Support
Stand on One Leg and Hold Sword Level
Hook Up the Curtain
One-Leg Stance and Lift Horizontally
Standing on One Leg and Lifting Sword [PL]
Lifting Up Curtain with Sword [JT]
Hold Sword with One-Leg Up [GLCZ]
Lifting the Door Curtain [MG1]
Roll Up the Screen [MG2]
Tiao Lian Shi (Ch.)
Enroulez l'écran (Fr.)
Rollen Sie Oben den Vorhang (Gr.)
Ruede Para Arriba la Pantalla (Sp.)
挑簾式 : Hold Up the Curtain
挑帘势 : Lifting up the Curtain

Circle Sword Down and Up on Right, Chop Down in Right Leg Bow Stance
Split with Bow Step
Bow Stance, Hook and Chop
Cutting in a Bow Stance [PL]
Cutting Sword in Bow Stance [JT]
Hang-Up Chop with Right Bow Stance [GLCZ]
Left Wheeling Chop Into a Right Bow Stance [MG1]
Cart-Wheel Sword to the Left and Right [MG2]
Zuo You Che Lun Jian (Ch.)
Épée de Rue au Gauche et Droit (Fr.)
Linke und Rechte Wagenrad-Klinge (Gr.)
Los Círculos de la Espada Tienen Gusto de un Rueda de un Carro (Sp.)
左輪劍 : Left Wheeling Sword
左车轮 : Left Cart Wheel

Draw Sword Back to Right, Step Left, Circle Sword Up and Slice Down, Step into Right Leg Empty Stance
Split with Empty Stance
Empty Stance, Circle Sword and Chop
Cutting Downward in Empty Stance [PL]
Cutting Sword in Empty Stance [JT]
Wheel Chop with Empty Stance [GLCZ]
Right Wheeling Chop Into a Right Empty Stance [MG1]
Cart-Wheel Sword to the Left and Right [MG2]
Zuo You Che Lun Jian (Ch.)
Épée de Rue au Gauche et Droit (Fr.)
Linke und Rechte Wagenrad-Klinge (Gr.)
Los Círculos de la Espada Tienen Gusto de un Rueda de un Carro (Sp.)
右车轮 : Right Cart Wheel
右輪劍 : Right Wheeling Sword
燕子啣泥

Step Back, Cross Hands, Slice Cockwise Backward, Open Both Arms
Retreat Step and Attack Backward to Right Side
Counter Attack, Feet Withdrawn
Step Back to Strike
Back Step, Circle Sword and Chop
Phoenix Spreads Its Wings
Great Roc Spreads Its Wings
The Condor Spreading Its Wings
Giant Geese Spreading Wings [PL]
Giant Hawk Spreading Wings [JT]
Retreat Step and Attack Backward [GLCZ]
The Phoenix Spreads Its Wings [MG1, MG2]
Feng Huang Shuang Zhan Chi (Ch.)
Phoenix Répand Ses Ailes (Fr.)
Das Phoenix Verbreitet Seine Flügel (Gr.)
La Phoenix Separa Sus Alas (Sp.)
大鵬展翅 : Phoenix Spreads Its Wings
凤凰双展翅 : Phoenix Opens Both its Wings

Left Empty Stance, Step to Right Bow Stance, Stab Forward
Stepping Forward and Making a Level Stab in Right Bow Stance
Step Forward to Thrust
Step in and Stab with Flat Sword
Wasp Enters Its Nest
Yellow Bee Returns to Nest
The Hornet Flying Into the Hive
Stepping Forward to Thrust [PL]
Yellow Jacket Returning to Hive [JT]
Step Forward and Flat Pierce [GLCZ]
The Bee Enters the Hive [MG1, MG2]
Huang Feng Ru Dong (Ch.)
L'abeille Entre dans la Ruche (Fr.)
Die Biene Kommt den Bienenstock (Gr.)
La Abeja Entra en la Colmena (Sp.)
黃蜂入洞 : Wasp Enters Its Nest

Drawing Sword to Left Hip, Turn Body to Side, Left Leg Empty Stance
Withdrawing the Sword in an Empty Stance
Draw Back with T Step
Sword Withdraws and Feet Retire
Step Back and Pull Sword
Withdraw Sword in T-Step
T-Stance and Pull Back
Step Back and Withdraw Sword
Embrace the Moon
Holding the Moon with the Arms
Withdrawing Sword [PL]
Embracing the Moon [JT]
Pull Back Sword with T-Stance [GLCZ]
Holding the Moon [MG1]
Holding the Moon in the Arms [MG2]
Huai Zhong Bao Yue (Ch.)
Tenir la Lune dans les Bras (Fr.)
Umklammern des Mondes zum Busen (Gr.)
Sostener la Luna en Los Brazos (Sp.)
懷中抱月 : Clasp the Moon to the Bosom

Circle Clockwise, Spin Sword Horizontally and Smear
Turn and Erase
Circle Sword Horizontally
Turn Around and Smear Horizontally
Wind Sweeps the Plum Blossoms
The Wind Sweeping the Plum Flower Petals
Wind Sweeping Plum Blossoms [PL, JT]
Rotate and Flat Slice [GLCZ]
The Wind Sweeps the Plum Blossoms [MG1, MG2]
Feng Sao Mei Hua (Ch.)
Le Vent Balaye les Fleurs de Prune (Fr.)
Der Wind Fegt die Pflaume-Blüten (Gr.)
El Viento Barre las Flores del Ciruelo (Sp.)
風掃梅花 : Wind Blows Away the Plum Flowers
凤扫梅花 : Plum Flowers Being Swept by the Wind
風清掃李子開花

Step Forward to Right Bow Stance, Stab/Thrust Forward, Palms Up
Stab Straight with Bow Step
Thrust Forward in Bow Stance
Bow Stance and Stab Straight
Thrusting Forward in Bow Stance [PL]
Compass Needle Pointing South [JT]
Forward Pierce with Left Bow Stance [GLCZ]
The Compass Needle [MG1, MG2]
Zhi Nan Zhen (Ch.)
L'Aiguille De Boussole (Fr.)
Die Kompass-Nadel (Gr.)
La Aguja Del Compás (Sp.)
指南针 : The Compass
黃龍獻爪

Ending Posture, Conclusion 收勢, Closing Movement, Return to On Guard Posture, Closing Position,
Transfer Sword and Return to Wuji
Step forward with right foot, transfer sword to the left hand, bring sword over to the left side,
push down with the right hand, settle into a high squat, slowly stand up, and take Wuji stance.

[PL]   Paul Lam, "Tai Chi: The 32 Sword Forms." Instructional VHS, 1996.
[JT]    Jesse Tsao, "Simplified Tai Chi Sword Form 32." Instructional DVD.
[GLCZ]   Guangqi, Li and Chen, Zhao. "Tai Chi Sword: The 32 Simplified Forms." Book, 2006, p.15-16.
[MG1]   Mike Garofalo, "32 Sword Form: List of Movements," 2008, 1 page, PDF Print.
[MG2]   Mike Garofalo, List of Movements, Yang Tai Chi Straight Sword, 55 Movements, 2008, 34 pages, PDF Print.

"The Orthodox Chinese Tai Ji Sword" by Madame Master Wang Ji Yung.
"Tai Chi Sword: The 32 Simplified Forms."   By Guangqi, Li and Chen, Zhao PhD, 2006, p.135-137.
[Other Names for the Movements from books by Kobayashi, Rodell, Yun, Yang, and webpages, etc., cited above.]
The Chinese characters for the movement names can be found in various books and webpages cited above.

Complete Performance of the Standard 32 Tai Chi Sword Form
Time	Performer	Source

4:31	Lam, Paul	Tai Chi: The 32 Sword Forms, 1996
	Xing, Guangzhi	Simplified Tai Chi Sword 32 Form, 2005
2:22	Wang, Ji Yung	Orthodox Chinese Tai Chi Sword
	Jiang Jian-ye	32 Step Tai Chi Sword,
3:06	Tsao, Jesse	Simplified Tai Chi Sword Form 32
3:02	Unknown - UTube	32 Sword Form. UTube, Video Demonstration
3:45	Xue An Ri	32 Sword Form. UTube Video Demonstration.
3:00	Chen Sitan	32 Sword Form. UTube Video Demonstration.
2:56	Sabistiani, Simone	32 Sword Form. UTube Video Demonstration.
2:23	Unknown: Carter-Video	32 Sword Form. UTube Video Demonstration.
	Average Performance Time

Analysis and Descriptions
32 Standardized (Orthodox) Simplified Sword Form Movement Sequence

Stand with feet together or less than shoulder width. Face to the North (N12). Hold the sword in the left hand, with the sword along the back side of the left arm, sword tip facing up. Rest the hands at the side of the hips. Take up the Wuji meditation posture: stand up straight, relax body and mind (sung), sink energy to dan tien, tuck the bottom of the pelvis slightly forward, hold the chin slightly tucked, keep the crown of head held high, keep the lips slightly parted, rest the tongue on the roof of the mouth behind the front teeth, keep your weight centered over hips and legs in central equilibrium (zhong ding), etc. This is a preparation posture for beginning to root the feet and legs into the power of the earth, ground the energetic forces (Qi) of the body, center and concentrate the mind (Yi) on the task at hand, and raise the spirit (Shen) by Returning to the One.

Execute a ceremonial bow as is appropriate to your Taijiquan school's tradition and practice. Many raise hands to chest height, touch hands or cross the hands, bow the head, then return the hands to the side of the hips. Many Yang style players do a "Raise Hands and Lower Hands" movement. They raise both hands, palms down, on an inhale, to about chest height, and then lower both hands back to sides of the hips on the exhale.

Stand quietly in Wuji meditation for awhile to gain mental, physical and spiritual composure. Quiet the mind. Become fully present in both time and place. Focus on being here and now. Wuji stands for "no limit, emptiness, nothingness, without definition, before all movement, spontaneity, freedom and chaos"; whereas, Taiji stands for "at the limit, after movement, multiplicity, space-time emergence, extreme limits, yin and yang evolution, regularity, law and cosmos."

"In Daoist ritual the first act is also called, “calling the qi to order.” To call the qi to order one must first invoke the Perfected Warrior, Zhen Wu. This is done by standing still using the physicality of the method described above. It is a totally ready stance–able to instantaneously issue force in all directions. But Zhen Wu is not just a physicality, he is a whole way of seeing the world, and he is the first stage in the practice of jindan (golden elixir). Zhen Wu is visualized in his armor with skin like the night sky drawing inward, chain and silk is woven into his hair. He has bare feet and he is energetically on the edge of his seat. Think of him as holding a sword in one hand, without a sheath, the tip of the blade is dragging on the ground. He is the embodiment of the taijiquan concept song (or sung, let go, sink) he is utterly fearless, the god of nothing-to-lose."
- Weakness With a Twist - Daoist Ritual Standing

Step to the left (W9) with the left leg. You are now in position 1a as shown below. Settle into a stable centered stance, knees slightly bent, legs about shoulder width apart. You should be facing to the North (N12). Hold the sword in the left hand, tip of the blade point up to the sky, sword behind the left arm. Rest the hands at the side of the hips. The index finger and middle finger are on the side facing forward along with the back of the hand, both fingers extended downward; the thumb, ring finger and little finger all curl around and hold the sword on the hilt.

This movement, #1, has various names: Three Rings Around the Moon, Circling the Moon Three Times, Place Feet Together and Point Sword, Point Sword with Closing Steps, Dragonfly Dips Water, Three Halos Around the Moon, Three Rings Envelop the Moon.

Begin by facing to the N12 direction. The sword is in the left hand, with the sword facing upward (1a). The left hand is down along the left hip, with the sword being held in the reversed holding position (fanwo). The right hand is held in the sword hand position (index and middle finger pointed, thumb curled and touching the ring finger). The position of the empty hand is also called the "finger sword" (jianjue, qijian). Raise both hands to shoulder height (1a). Turn upper torso to the right side to face NE2, raise left hand and sword to eye level (1c), lower right hand to waist. Step with left foot back to face W9, and place left leg in a left bow stance (i.e., 70% of weight in left leg, 30% in right leg). Turn torso to face W9. Extend right arm forward towards W9. Bring left hand and sword to left hip, sword facing upward (1d). Position 1d is sometimes called: The Immortal Points the Way, The Fairy Shows the Way (仙人指路, Xian Ren Shi Lu). Moving from 1c to 1d corresponds to the Yang Taijiquan hand form movement called 'Brush Knee.'

Step forward with right leg, right foot facing N12. Bend both knees and squat down a little in a twist step stance, with left knee tucked behind right knee (1e). Open right arm and extend arm to point with sword hand to E3 (1e). Extend left hand to point to W9, sword behind left arm. Look back to E3 (1e).

Step forward with left leg into a left bow stance, turning the torso to facing W9 (1f). Draw sword back and up in clockwise circular manner (1f0 to end with sword facing W9 (1g). Torso is acing W9 (1f). Transfer sword from left hand to the right hand (1f). Bring right foot up to left foot and bend knees, torso facing W9 (1g). Extend arms to W9 at chest height (1g). Lower the tip of the sword towards floor (1g). 1g is called "Point Sword with Feet Together."

All of steps 1a - 1g are done in a flowing, graceful, and slow manner. When a part of the body is moving, all other parts of the body are moving in a smooth coordinated manner. For example, at the "finish" of 1e all parts of the body arrive in their positions at the same time. Emphasize coordinated and timed flowing, and avoiding any jerkiness.

At the end of each movement or posture, the sword blade is held in a specific position. The blade of the sword can be held with the "sharp" edge of the sword held in a vertical or perpendicular position, one edge pointing directly down to the floor the other to the sky, the zhimian position. The blade of the sword can be held with the "sharp" edge of the sword held in a horizontal or parallel position relative to the floor, the sword blade flat relative to the ground, the pingmian position. Finally, the blade of the sword can be held with the "sharp" edge of the sword held at an angle relative to the floor, tilted to the side, slanted, or angled to the right or left side. In position 1g, the sword blade edge is held in a vertical position relative to the floor, zhimian.

In general, during the practice of Taiji sword, the posture is held upright, we stand tall, we keep our back straight, we relax the shoulders and chest, we center the weight in the waist, we draw our chin in slightly, and we keep the crown of the head held high. We strive for nimbleness, alertness, poise, precision, and dignity.

Keep in mind that although the one sentence at a time descriptions that follow might imply a kind of step-by-step or one-two-three mechanical and jerky sort of movement sequence, in actual practice the movements "flow" smoothly together. Sometimes, multiple movements of the arms and legs occur simultaneously. When practicing alone at home, be sure to carefully study the DVDs, VHS, or UTube video demonstrations or instructions (listed above) on how to perform, to move, to play, to dance, to properly perform this 32 sword form. Sword forms are fluid, graceful, controlled, and expressive.

I have chosen to describe the movements using the clock diagram shown on this page, starting the 32 sword from a position of facing N12. Once you know how to do the 32 sword form, you can begin your sword practice facing in any direction that is convenient depending upon time and place. For example, when I practice the 32 sword form outdoors in the early morning, I begin by facing NW10:30 and move along a SW8 and NE2 line, so I don't face the low morning sun as much.

This movement, #2, has various names: Big Dipper, Standing on One Leg and Thrusting the Sword, Standing on One Leg to Thrust, Thrust Back Independently, Opposite Pierce with One-Leg Stand, Big Dipper Constellation, Big Chief Star.

Begin by stepping back (2a) with the right leg with foot at N12 (2b). Draw sword in arc down to point to NE1. Raise sword to point directly upward. Turn torso to look to NE1 (2c). Draw left leg back to toe stance. Transfer weight into the right leg. Look to NE1 (2c). Draw left leg in the air, knee facing W9, balancing on right leg. Lift sword over head, and point sword tip to W9, sword parallel to floor (2d). Extend left arm to W9, fingers in the sword hand position. Look towards W9 (2d). Position 2d reminds us of the Yang Taijiquan hand form position called 'Golden Rooster Stands on Right Leg.' In position 2d, the sword blade edge is held in the vertical position relative to the floor, zhimian.

"Chen Weiming calls the empty hand (predominately the left hand) literally "the hand pinched into a secret sword (shou nei jian jue), which is know elsewhere as "finger sword." I have rendered it "feigned sword." The empty hand keeps the feigned sword position throughout the form, with only a few exceptions that will be noted, such as when supporting the back of the hand holding the sword. In general, the empty hand follows the sword hand. This task serves to counter-balance the sword, to back it up energetically, to support the sword hand physically, and quite practically, to keep the empty hand out of the path of the sword."
- Barbara Davis, Taiji Sword and Other Writings, p. xv.

This movement, #3, has various names: Swallow Skims Across the Water, Swallow Skimming Across the Water, Sweep the Sword with Falling Step, Crouch Down and Sweep Sword, Swallow Skims Over the Pond.

Begin by drawing the left foot down to floor, and step back with left leg to SW7 (3a). Swing sword in arc down and point sword to NE2 (3a). Right leg in bow stance (3b). Touch left hand to right wrist (3b). Turn the torso to face W9 (3c). Pivot on left heel till left foot pointing SW7. Left leg in bow stance (3c). Swing sword from NE1 down and up in arc to point to W9. Sword pointed slightly up at chest height towards W9. Left hand raised above head, left arm out from body, with left palm facing to S6 (3c). Right palm holding sword is up. In position 3c, the sword blade edge is held at an angle relative to the floor.

On the above book cover, Petra Kobayashi demonstrates The Big Dipper (3a) and The Swallow Skims Across the Water (3b). He draws the right knee very low for 3b, and then draws the sword very low along the ground and then upward. The rising movement (2c,2d) and then the deep lowering movement (3a,3b) provides those with more strength, flexibility, and martial arts athletic skills the opportunity to show a more dramatic demonstration of the transition between the movements 2 and 3.

When in group or private classes with a Taijiquan teacher, please very carefully follow your teacher in class and repeat, mimic, and replicate the movements as he or she demonstrates them to you. In most cases, the specific movement sequencing and positioning will be pretty close to what is described herein; nevertheless, when differences occur, follow your instructor's demonstrations and all the details that they teach. Teachers have different styles of teaching: some say very little, some always do the form all the way through every time, some modify the forms somewhat to suit their temperament and physical skills, some will break the form into each movement and have you drill each movement over and over before proceeding, some encourage outside study using media and print resources, some provide more information on the martial arts applications, etc. The student just needs to adapt, be flexible, be open-minded, show respect to the teachers, and always remember the distinction between the purpose/benefits/spirit of the activities and the details of the activities.

This movement, #4, has various names: Block and Sweep to the Right, Drawing the Sword to the Right, Carrying the Sword to the Right, Level Bringing to the Right, Right Slice with Bow Stance, Sweep to the Right.

Begin by pushing the sword forward a little towards W9 (4a). Turn right palm down and rotate the sword in a tight counterclockwise circle. Step forward with right leg into right bow stance (4b). Left fingers touch right hand holding sword (4b). Front of body faces W9. Position 4a reminds us of the Yang Taijiquan hand form position called 'Fair Lady Works the Shuttles.' In position 4b, the sword blade edge is held at an angle relative to the floor.

This movement, #5, has various names: Block and Sweep to the Left, Drawing the Sword to the Left, Carrying the Sword to the Left, Level Bringing to the Left, Left Slice with Bow Stance, Sweep to the Left.

Begin by pushing the sword forward a little towards W9 (5a). Turn right palm up and rotate the sword in a tight clockwise circle. Step forward with left leg into left bow stance (5b). Left foot and knee aim towards SW8. Sword is pointed slightly up at chest height towards W9. Left hand raised above head, left arm out from body, with left palm facing to S6 (5b). Right palm holding sword is up. Front of body faces W9. In position 5b, the sword blade edge is held at an angle relative to the floor.

This movement, #6, has various names: Little Dipper, Small Star of the Big Dipper, Sounding the Sea, Split Independently, Wheel Chop Sword with One-leg Stand, Small Star of the Literary God.

Begin by stepping forward with the right leg (6a) and placing the right foot by the left foot (6b). Lower the left hand (6a) down to touch the right wrist (6b). Rotate at the waist and turn to look to SE5 (6c) as you draw the sword down in an arc towards SE5 (6b) and then up and moving in an arc (6c) to finally point the sword down to NW10 (6d). Step forward to NW10 with the right leg. Turn the torso to face W9. Raise the left leg up with knee high and the left foot turned inward (6d). Balance on the right leg. Left hand is raised above head, left arm out from body, with left palm facing to SW7 (6d). Point the sword downward, with the blade in a vertical position. Look at the tip of the sword. In position 6d, the sword blade edge is held in a vertical position relative to the floor, zhimian.

This movement, #7, has various names: Step Back and Pull the Sword, Holding the Moon, Withdrawing Sword in Empty Stance, Sword Withdraws and Feet Retire, Embrace the Moon.

Begin by lowering the left leg and stepping back (7a) with left foot. Draw the left hand down (7a) towards left hip. Bring the right hand back towards the body (7a) and move the end knob and handle down to the left hip. The left fingers touch the right hand. The sword points up at an angle (7b). The body faces to W9. Touch the right toe on the floor, drawing the body weight back into the left leg in a toe stance (7b). Look forward to W9. In position 7b, the sword blade edge is held in a vertical position relative to the floor, zhimian.

This movement, #8, has various names: Birds Returning to the Trees at Dusk, Split Upward Independently, Upward Pierce Sword with One-Leg Stand, Sleepy Birds Returning to the Forest, Birds Lodging in the Forest.

Begin by stepping forward slightly with the left foot (8a). Shift weight into the right leg, drawing left leg off the ground with the knee high (8b). The left foot is turned inward. Extended both arms with sword pointed upward in W9 direction (8b). Both hands hold the sword, with the palms facing upward. In position 8b, the sword blade edge is held in a horizontal position relative to the floor, pengmian. Look forward towards W9 towards the tip of the sword.

This movement, #9, has various names: Black Dragon Whips His Tail, Dragon Sweeping Tail, Sever Downward with Empty Step, Empty Stance and Slice Downward, Dragon Whips Its Tail, Black Dragon Swings Its Tail.

Begin by lowering the left leg (9a) and moving it back so that the foot faced towards SW7 (9b). As the leg is draw back move the sword in a counterclockwise arc downward (slicing downward) so that the sword ends up pointing towards NW 11, and the sword hand's palm is facing down (9b). The sword hilt is at about hip height. The left hand is moved from the forward position (9a) in a clockwise arc and ends being raised above head, left arm out from body, with left palm facing to SW8. The body is turned at the waist toward NW10 (9b). In position 9b, the sword blade edge is held in a angled or slanted position relative to the floor. The eyes look to NW10. Position 9b reminds us of the Yang Taijiquan hand form position called 'White Stork Cools Its Wings.'

This movement, #10, has various names: Green Dragon Emerging from Water, Split with Left Bow Step, Pierce with Left Bow Stance, Green Dragon Comes out of the Water.

Begin by drawing the right leg back (10a) and place the foot facing N11; as the sword is lifted up and thrusted forward. Turn the torso to face N12 (10b). The right hand draws the sword to about face height, with palm facing down, with the sword flat relative to the earth. The left sword finger touches the right wrist. Draw the left foot near the right foot into a left empty stance (10b). Look to W9. Step to the left into a left bow stance (10c). The sword is draw in a clockwise arc (10b) and ends pointing to W9. The left hand is moved in a clockwise arc and ends being raised above the head, left arm out from body, with left palm facing to SW8 (10c). In position 10c, the sword blade edge is held, palm up, in a horizontal position relative to the floor, pengmian.

This movement, #11, has various names: Turning Round and Carrying Sword, Bring Diagonally and Turn Body, Pull-back Turn and Skew Slice Sword, Wind Curls Up Lotus Leaves, Wind Blows the Lotus Leaf.

Begin by drawing the weight to the right, while remaining upright. Pivot on the left heel, drawing the toes clockwise (11a). Draw the left sword finger hand to touch the right wrist at about chest height (11b). Draw the left leg next to the right leg (11b). Turn from the waist to the right in a clockwise arc. Step with the left leg towards SE4 into a left bow stance (11c). In position 11c, the sword blade edge is held in a horizontal position relative to the floor, pengmian. We are turning 195º from 11a to 11c. End in 11c by facing to the SE4. Look at the tip of the sword.

This movement, #12, has various names: Stepping Backward Carrying Sword; Bring Diagonally, Shrinking; Contract Body and Skew Slice Sword, Lion Shakes Its Head, The Lion Shakes His Mane.

I have seen conflicting demonstrations and descriptions of this movement amongst different teachers. Here are two of the options I have seen demonstrated: